It is tempting to think about how the performance interventions of Alÿs and Borsato, in their various forms, might function to undo the built environment. This deconstructive motivation was certainly at the heart of other walkers’ work, especially that of the Situationists. While I argue that each of their works contain a highly subversive component, […]
Walk This Way: Part Three
September 14th, 2013Walk this Way: Part Two
September 13th, 2013Describing his work, Mexico-based artist Francis Alÿs explains: “I spend a lot of time walking around the city…The initial concept for a project often emerges during a walk. As an artist, my position is akin to that of a passer-by constantly trying to situate myself in a moving environment. Each of my interventions is another […]
Walk This Way: Diane Borsato and Francis Alÿs Make the City
September 12th, 2013“Let everyday life become a work of art!” 1 “Rarely is walking considered as a distinct mode of acting, knowing, and making. As its necessity diminishes and its applications rarefy, the potential of walking as a critical, creative, and subversive tool appears only to grow.”2 Despite its ubiquitous place in everyday life, walking is an […]
Language and the city
July 9th, 2013A recent conversation on Twitter got us thinking about how to bring thoughts about langauge and the city into our We Make The City! Poster project. We would like the people of this city to help us translate “We Make The City! We Are The City!” into as many languages as possible. We started with our francophone friends around us, and Tom Fortington and our critical writer in residence Melody McKiver got us thinking about a translation into Anishinaabemowin. How many more can join the conversation?
Towards a democratic city
May 30th, 2013On the occasion of the Creative City Summit I was given a short platform at the local Pecha Kucha Night. I took the opportunity to present a very short critique of the Creative City concept. Below are my slides for the presentation. This talk is basically a collage of ideas from (at least but not limited […]
We Make The City!
May 30th, 2013We Make The City! We Are The City! is a love letter to the city and a call to action. We are moving the festival into the public terrain because we believe it to be fertile and exciting grounds for diversion and discourse, but we are also asking the citizens to redefine how they see themselves, and thus the city around them. The city is not a fully formed structure delivered to you for consumption, but a constant evolving project in which you participate. You are the city around you and the city is you.
Electric Fields: Electric Pow Wow
November 25th, 2011Tonight, from 10pm to midnight, A Tribe Called Red will be performing in the Grand Hall at the Canadian Museum of Civilization (CMC) in Gatineau.The three DJs that make up A Tribe Called Red are Bear Witness, Ian Campeau (a.k.a. DJ NDN) and Dan General (a.k.a. DJ Shub). MTV has dubbed them originators of their […]
Electric Fields: Church Music
November 24th, 2011Roger Tellier-Craig will be one of the three performers showcased tomorrow night at 9pm at St Brigid’s Center for the Arts a part of Electric Fields. Two other performances will be Martin Bédard and Jean François Laporte. The line-up has been orchestrated through collaboration between Artengine and Montréal based electro-acoustic festival Akousma. Le Révélateur – […]
Electric Fields: Swimming in Sound
November 9th, 2011Champagne Baths. Image courtesy Wikipedia Commons Bring your swim suit to this one-of-a-kind sound performance at Ottawa’s first municipal swimming pool. Composer and percussionist Jesse Stewart and new media artist Rob Cruickshank will perform at 10pm on Friday 25 November at the Champagne Baths, 321 King Edward Drive. Capacity is limited; advance tickets can be […]
Polytectures: structured sounds in the capital
October 11th, 2011I imagined that a soundwalk in the city that was not so much about the history of its architecture but about the experience of the architecture through music compositions. I was aware that there was a trend in different art forms for site specific creation but I never thought that it could apply to music writing. And that’s what Polytectures consists in really: asking a team of composers to write a music piece that is meant to be listened to in a very specific space, in contact with a specific building.