What better way to finish the night then to have a party. Great party was had at the Civilization Museum with the boys from A Tribe Called Red
Swim Sound was so popular that they added a second performance last night. I went to the first performance and was very jealous I couldn’t get into the water. Something about electronics, water and me not being a great swimmer that doesn’t mix.
Hope you got the chance to witness Church Music because there’s no way to explain what happened. It was a truly great evening. Well done Jean François Laporte, Martin Bédard and Roger Tellier-Craig. photos by Rémi Thériault
Roger Tellier-Craig will be one of the three performers showcased tomorrow night at 9pm at St Brigid’s Center for the Arts a part of Electric Fields. Two other performances will be Martin Bédard and Jean François Laporte. The line-up has been orchestrated through collaboration between Artengine and Montréal based electro-acoustic festival Akousma. Le Révélateur – [...]
I’ll be guest photo blogging for ArtEngine as part of Electric Fields 2011. There’s a good crowd that gathered on opening night at Bytown Museum for Polytectures. Montréal’s Antoine Bédard (Montag) is producing a narrated walking experience that guides you through the architecture of downtown Ottawa. 12 local composers and musical groups have translated key buildings [...]
Champagne Baths. Image courtesy Wikipedia Commons Bring your swim suit to this one-of-a-kind sound performance at Ottawa’s first municipal swimming pool. Composer and percussionist Jesse Stewart and new media artist Rob Cruickshank will perform at 10pm on Friday 25 November at the Champagne Baths, 321 King Edward Drive. Capacity is limited; advance tickets can be [...]
I imagined that a soundwalk in the city that was not so much about the history of its architecture but about the experience of the architecture through music compositions. I was aware that there was a trend in different art forms for site specific creation but I never thought that it could apply to music writing. And that’s what Polytectures consists in really: asking a team of composers to write a music piece that is meant to be listened to in a very specific space, in contact with a specific building.
On Saturday 29 January, I attended a panel discussion held by the Ottawa Art Gallery in conjunction with the exhibition The Living Effect. The exhibition and the panel discussion were the result of the research, effort and connections of curator Caroline Seck Langill (although she wasn’t alone and the support of many others was mentioned).
Some closing remarks on Electric Fields 2010 will come later but for now, just a quick note to tip my hat et lever mon verre to Simon Guibord. When he isn’t working at Daïmon, running a record label or playing in If Then Do and Kingdom Shore, it seems he is churning out some very [...]
Things are winding down but yesterday was très big so allons-y! Started things off with a talk on BASS by PhD candidate and DJ Paul Jasen. In about 90 minutes, Paul covered the use of bass and its impact on the body from the earliest incarnations of the pipe organ in 300 B.C. right to [...]