Swim Sound was so popular that they added a second performance last night. I went to the first performance and was very jealous I couldn’t get into the water. Something about electronics, water and me not being a great swimmer that doesn’t mix.
DAY 3 – SWIM SOUND.
November 26th, 2011Polytectures: structured sounds in the capital
October 11th, 2011I imagined that a soundwalk in the city that was not so much about the history of its architecture but about the experience of the architecture through music compositions. I was aware that there was a trend in different art forms for site specific creation but I never thought that it could apply to music writing. And that’s what Polytectures consists in really: asking a team of composers to write a music piece that is meant to be listened to in a very specific space, in contact with a specific building.
DAVID ROKEBY’S Very Nervous System @ CUAG and 3 Questions with Curator, Jesse Stewart
December 8th, 2010First impression of Very Nervous System by David Rokeby, currently on view at CUAG: I’ve seen this before. It took me a few hours and eventually giving in to a quick Google search (a functioning external memory for many of us) to realize that I’d seen Very Nervous System at an exhibition in Linz, Austria [...]
Donna Legault can see my heart beat
October 13th, 2010Donna Legault has been working away in the lab in preparation for her role in the Prototype show during Electric Fields and had a fantastic discovery. Her work uses a PureData pathc to pitch shift sounds in the in-audible range and pumps those frequencies into stripped down speakers. The very very low frequencies make the [...]