Swim Sound was so popular that they added a second performance last night. I went to the first performance and was very jealous I couldn’t get into the water. Something about electronics, water and me not being a great swimmer that doesn’t mix.
I imagined that a soundwalk in the city that was not so much about the history of its architecture but about the experience of the architecture through music compositions. I was aware that there was a trend in different art forms for site specific creation but I never thought that it could apply to music writing. And that’s what Polytectures consists in really: asking a team of composers to write a music piece that is meant to be listened to in a very specific space, in contact with a specific building.
First impression of Very Nervous System by David Rokeby, currently on view at CUAG: I’ve seen this before. It took me a few hours and eventually giving in to a quick Google search (a functioning external memory for many of us) to realize that I’d seen Very Nervous System at an exhibition in Linz, Austria [...]
Donna Legault has been working away in the lab in preparation for her role in the Prototype show during Electric Fields and had a fantastic discovery. Her work uses a PureData pathc to pitch shift sounds in the in-audible range and pumps those frequencies into stripped down speakers. The very very low frequencies make the [...]