Which terms do you we use to describe what is done now? Some reach back to claim connection to European traditions of craft while others search for new broadly inclusive language. What is important in staking a claim on terms and definitions? How do we facilitate constructive and inclusive conversations about making?
Read more from Steven Loft and others in the book he edited with Kerry Swanson
Coded Territories: Tracing Indigenous Pathways in New Media Art
Tom Bessai’s work can partially be found at:
Here is the late Valérie Lamontagne’s PhD Dissertation.
In grateful memory of our dear friends and colleagues Dr. Sandra Alfoldy (1969–2019) and Dr. Valérie Lamontagne (1968-2019).
This discussion was part of Unhanded: Making Under the Influence of Digitalism
September 17th, 2016
The Unhanded Symposium brought together a range of perspectives from different disciplines to discuss, debate and interrogate what it means to make objects in the 21st century. Through a series of four panel discussions we explored ideas around language, materials, mistakes, challenges and opportunities when working at the intersection of digital and physical technologies.
Sound is inherently tied to space, it traverses. Once you start considering the possibility of a spaceless sound, you are delving into a realm of abstraction. Two types of re-encodings of sound that might be considered aspatial are the conversion of “vibrations moving through the air” to a digital signal and our memory of sonic events.
