0:10

conocer Andrea a la nena chiquita y una

0:17

sorpresa poco cathartica para me he was

0:19

a total surprise to meet the little girl

0:22

Andrea porque esta buscando a alguien

0:27

con quien conectarme y cuando encontre a

0:31

contra improvisando a euro gramos como

0:35

esta laser is a connection incluso SE

0:37

parece mucho me okay we found a

0:40

connection it was very important to me

0:41

to find a connection and I saw her

0:44

improvising and she’s actually very

0:46

similar to me to myself this is savi a

0:51

key in algo de will gráfico Yenisei

0:56

sturdy and porcelain I knew there was

0:58

some sort of autobiography in that story

1:02

I valera siempre de la sexualidad sobre

1:05

todo la masturbasi on feminine and limb

1:08

fancy loc athenaeus sdcc to talk about

1:11

sexuality especially masturbation at

1:14

such an early age at seven years old it

1:16

is very difficult porque despierta

1:20

taboos justo de sol treta porcelana the

1:24

day de como los ninos a pesar de neige

1:30

canossian conciente cela sexually that

1:32

less than Vivian it opens up a

1:35

conversation about all taboos and how

1:37

children still do live and deal with

1:41

masturbation even though they’re not

1:42

realizing what it is and what we’re

1:44

doing y como en una sociedad chopra

1:48

sorta como la que yo vengo case Sinaloa

1:52

analysis tells mass a conflicty vez por

1:55

la por la marca cultura with the narco

2:00

traffic culture it is it is sort of a

2:02

paint topic is the st creo que el más

2:07

autobiographical y no me no me veo la

2:10

cuenta de ESO hasta que lo vea en

2:12

pantalla

2:13

que todo mundo Mencia de parte es mucho

2:15

marianela minyak esta la pelicula

2:18

definitely this will be the more

2:21

autobiography kind of film everybody and

2:26

she only realized this when she saw it

2:28

in the big screen and everybody

2:30

mentioned how close and how similar

2:32

cheese do Mariana the main character he

2:37

who stole another the the Demi sup says

2:43

he only says our letters over elastic

2:44

solid at so dilemma stood was yearning

2:46

fan says it’s over a lost a busca hidden

2:48

and of Maya and one of her passions and

2:52

topics have been to talk about those

2:54

band issues that they don’t want to talk

2:56

about such masturbation in children

3:00

earlier young people porque justo carry

3:05

a tocar no en las utilizes so yo siento

3:07

que por salinas fragile a uno piensa que

3:10

la niñas s delicado ESS fragile pero no

3:14

es cierto los ninos en tienda en todo y

3:16

habla en un segundo nivel que es muy

3:19

interesante decipher are low EDS

3:23

porcelain will be so fragile it’s we all

3:27

think children are so weak in they don’t

3:31

understand when reality is that they do

3:34

understand and they do know and entonces

3:39

y justo en Clouseau cuando estamos

3:42

montando la pelicula fray interesante

3:46

como fue la relación con los ninos

3:48

porque nunca habla de la masturbation

3:50

con ellos pero ellos saben de qué

3:52

trataba cine SI quieres decir no friend

3:55

she’s mentioning while in production

3:57

while working with the with the kids

4:00

they did not completely understand what

4:03

the topic that was being talked about

4:05

but they they sort of had an idea and

4:08

understood about the short film por que

4:11

otros I at reform I yatra lenguaje Sutil

4:14

que no es necesario que se tiene que

4:17

cantar de frente por ESO la pelicula

4:19

smoo teal that’s what she would she

4:24

loves about it is that she was able to

4:26

direct them and we

4:27

work with them in a very specific Sutil

4:31

will be a very subtle way without being

4:34

so in-your-face and to them it was if

4:38

that was very interesting hablo de más

4:40

bien una sociedad repressor de que esta

4:42

manejando para who’s poor religion poor

4:45

poor poor muchas cosas que que uno no es

4:49

consciente pero los bukharian dono y

4:51

creo que que si no se platica ESO en en

4:54

la niñas see no no no I es a

4:56

comunicacion uno kresse violento press

4:59

era primito eskimo marion gusto la

5:04

pelicula few castigada jugando a que el

5:08

entierro nel final como si estuviera

5:09

muerta perdone at the question was

5:13

specifically about the narco culture she

5:15

specifically said she think the film

5:17

cheat was not talking about it but more

5:19

about the oppression and all the

5:23

Internet’s was hit represented society

5:26

and the oppressions off the society so

5:29

it’s it’s dad mentality that Mariana at

5:33

the end was being punished and so that’s

5:36

what she wanted to talk about she wanted

5:38

to talk about the issues around that

5:39

society where she comes from hey como

5:43

maryenka fray

5:45

jugando los ninos jugaron enter arla

5:49

pero Miriam back racer con una sin saber

5:53

yeah viola sexualidad pero Socastee go

5:56

to Cespedes Arabic racer valenta

5:59

specifically she’s mentioning the part

6:01

in the film where she’s being buried as

6:03

being punished for her actions when in

6:06

reality and when she grows up she’s

6:08

going to believe that what she did was

6:10

wrong and then she’s going to feel

6:12

judged and guilty about it since he get

6:15

us out without even knowing it since

6:19

it’s something that he came from to our

6:20

childhood thank you everyone do I have a

6:24

last question oh good thank you again

6:27

for being here thank you it’s away we

6:30

want to say thank you to the consulate

6:32

of Mexico for bringing her gracias it

6:35

was definitely a joint effort and we did

6:38

it which I thank you very much miss Yin

6:40

Yin festival on the scene muchas gracias

6:43

thank

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