Enjoy this interview with current exhibition artist, Lester Coloma, as he discusses the process of painting his new work, Masquerade.
Masquerade, 2020, is designed specifically for the AGH lobby. A lush, rich, and wholly engaging portrait, its meaning is equally abundant and involving. On the one hand, we experience a dramatic, over life-size figure seemingly overwhelmed by the vivid flora that occupies half the composition. But the sheer beauty and splendor of the mural belies a much more complex and timely origin story.Enjoy this interview with current exhibition artist, Lester Coloma, as he discusses the process of painting his new work, Masquerade.
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Chapters
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Intro
Intro
0:00
Intro
0:00
Background
Background
0:27
Background
0:27
Murals
Murals
3:56
Murals
3:56
Conclusion
Conclusion
5:21
Conclusion
5:21
Use CTRL+F to find key words if it is a longer transcript.
Intro
0:03
uh my name is lester coloma
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i’m a hamilton artist born and raised
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been practicing mural painting for over
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22 years now
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and i’m here working at the agh doing a
0:16
painting directly on to wall on a theme
0:20
that is talking about the awareness of
0:23
mental health
Background
0:31
so when i moved back i’m born and raised
0:33
in hamilton so when i moved
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back to hamilton from toronto there
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wasn’t a lot of
0:39
mural art happening so
0:42
i started uh just doing stuff on my own
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uh there was a restaurant called
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acclamation that had used to have a
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really long
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wooden fence that was just dark brown
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and i approached the owner and i thought
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hey
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do you mind if i just paint the mural on
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here for art crawl one day
1:00
well it was actually for art crawl and
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uh
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they didn’t mind so i went down with one
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brush
1:06
uh one color and i painted a giant fish
1:08
and i thought hey this is this is kind
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of fun it seems to be getting a good
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response
1:12
from people and then from that piece i
1:16
was invited to do
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a painting on the old tivoli theater
1:22
and i did a rabbit riding a tortoise
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um and a business owner saw that
1:30
asked me to do the exterior of
1:33
his building that he owned um and i
1:36
painted that one
1:37
and from there it just became a lot of
1:39
referrals
1:40
so i think that that first fish one
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that i did on the fence was uh was kind
1:47
of the starting point of it all for here
1:52
so in in doing the research for trying
1:54
to come up with imagery
1:56
um i saw a lot of things that were very
2:00
very negative so things with people with
2:03
barbed wire or people imprisoned in
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their mind
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and i thought that’s a really tough
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image to swallow for someone if they’re
2:12
trying to overcome certain issues
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uh so the direction i wanted to take was
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something more
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approachable that still showed the
2:20
layers of complexity
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so i came up with a metaphor of leaves
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and foliage and
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different types of leaves and how
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they’re kind of intertwined
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and and it was important for me to do
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that because it seems
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from my perspective you can kind of uh
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approach obstacles when they have more
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of a
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when they’re more approachable they
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aren’t
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like a giant wall that that inhibits you
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it’s something that’s that’s more
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conquerable it’s a sense of pride
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it’s a sense of ownership it’s a sense
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of confidence it’s
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it’s all of those things i think if you
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can kind of
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if you can kind of maintain a
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good eye contact with someone and talk
3:06
about issues it’s almost empowering
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right so you have a good connection and
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you can kind of speak
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speak about things a little more freely
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honestly
3:14
if i was not painting i would i would be
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struggling a lot more
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i find having to do large scale artwork
3:23
for me
3:24
um i really like the benefit that it’s
3:28
there’s a bit of physicality to it so
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you know it’s it’s not just
3:32
movements of of the wrist when you’re at
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an easel and you’re painting something
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smaller scale
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like you’re up and down scaffolding and
3:39
you’re moving around so i i enjoy that
3:41
that physicality of it and in terms of
3:44
of the imagery that i get to create i i
3:47
find it really
3:49
really appealing because a lot of people
3:51
seem to connect with the work that i do
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so it’s
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uh it feels good when you can do that
Murals
3:58
in a couple of the neighborhoods i get
4:00
to talk to
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people who’ve lived there for a long
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time and
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it’s it’s always a sense of
4:08
of pride when they see the mural you
4:11
know
4:11
they can’t believe that oh this artwork
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is in my neighborhood
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and they’re very they’re very happy it’s
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there i i’ve spoken to a couple people
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and they’re very
4:22
protective sometimes they say oh if
4:24
anyone
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puts graffiti on this you know we’ll
4:26
take care of them so there’s a
4:28
big sense of ownership in it and it
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seems to make them happy
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and a lot of people don’t get to see the
4:34
behind the scenes so i think it’s
4:35
important for them
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to kind of almost keep guessing you know
4:40
what
4:40
what direction the arts gonna go how
4:42
it’s gonna look like in the end and and
4:44
seeing how
4:45
i like to build in in layers you know
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it’s it’s
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it’s almost these mini unveilings every
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time they
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they stop by and it’s kind of fun
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because when we used to have art corals
4:57
before
4:58
kovid i really liked when people would
5:00
come into my studio
5:01
and ask questions about art and talk
5:03
about the meaning behind things because
5:05
they really don’t
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get to see that perspective when they’re
5:08
just looking at the finished artwork
5:10
you know they get to pick my brain about
5:13
how i arrived at this image or
5:15
why i did certain things or or even ask
5:18
me about the struggles that i’ve had in
5:20
completing the artwork
Conclusion
5:24
i i think it’s more meaningful because
5:28
the original artwork i did
5:30
uh 2019 so
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in explaining the the theme of the
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artwork and and the
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the climate of society now with all
5:41
these lockdowns and
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and social isolations people seem to be
5:45
responding even
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more positive more positively
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to the theme of the artwork you know
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that’s it’s a lot more relatable to them
5:54
and the struggles that they’re having
5:57
[Music]
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currently
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[Music]
6:15
you
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