0:08

can you talk a little bit of a book

0:10

Torah I am and how these because I know

0:13

that you were really close to busy later

0:15

but also how is how was it conceived and

0:18

why say that you wanted to make a film

0:21

about mental illness all album I can

0:25

speak more support from the virtual

0:27

server but with a little story the

0:30

intention of the director was to our to

0:32

portray the metal-insulator house

0:35

especially hour ago studies pursuing

0:38

hair like for many years from even in a

0:40

couple of generations before so it’s

0:42

kind of magical and because he merely

0:44

this comment like a schizophrenic he’s a

0:47

brilliant moment you like that so that’s

0:50

why the correct their errors unlike you

0:52

i interrupting are the best moments of

0:56

her life and affecting it affecting her

0:58

a regulation system is a community-run

1:02

so I mean in japanese so this into her

1:04

to make appearances were afraid that’s

1:08

why you Pastor the Japanese are their

1:10

stories my daddy for dinner I Spartacus

1:15

I was a Julia the interior ascaso for

1:17

that p.m. two years ago so I was a very

1:21

familiar with the process and I kind of

1:23

talk about the information about the

1:25

foreigner and within your whole

1:27

community that which is in the Brazilian

1:30

over here also but it’s also very

1:31

Universal intervals alright and yeah I

1:36

have been preserved in the Northeast for

1:40

almost year and in the Northeast there’s

1:44

a type of music actually copy

1:46

hopeful home and when I moved back here

1:49

I was shocked to see that there was a

1:51

huge full C in Toronto with incredible

1:55

artists and it happens really regularly

1:58

and a lot of artists artists people from

2:05

the community members from the key needy

2:06

who aren’t even Brazilian are really

2:09

into it and so I just wanted you two to

2:13

do peace in the music that was played

2:16

with original health in the film which

2:18

was really special because it’s rare

2:20

that gets made like from that

2:23

traditional Tyson and a little over the

2:26

time before me ah sure add the foreigner

2:30

is kind of cheese I thought it would be

2:34

interesting to make the story about

2:36

foreigner in their own city and how

2:39

that’s reflective of some some some

2:44

experiences you have especially the

2:46

facing tanto yeah I me sad it was a

2:49

white eating in committee sometimes when

2:52

they were seeing people’s be Jewish it

2:55

sanitation and that was actually yeah

2:57

that was intentional um I debated about

3:01

whether or not to include subtitles i

3:05

love feedback about but it was actually

3:09

ah yeah i wasn’t sure that I felt when

3:15

they were in if you lost a part of the

3:18

reality for peace and yeah I guess

3:24

indian but I look back I think I

3:27

decision because this also how

3:30

experiences the entire situation so yeah

3:34

I’ve already interested

3:36

like when I first screen it privately to

3:39

a lot of the people in the field like

3:41

the Brazilians reaction to a number

3:43

things like there’s kind of an inside

3:45

joke cuz anymore is really making fun of

3:51

yeah okay somebody feeling and how would

4:02

you be came to uh you know peace is well

4:05

as usually when your home folder with

4:08

this subject is accomplished choice or

4:12

the coalface to go towards vitamins and

4:15

love for Scott solutions but I think

4:20

there’s so much more violence in wars

4:22

what’s going on many of the reasons why

4:25

we are suffering in Mexico what’s going

4:27

on with mega traffic comes to the fact

4:29

that all the choices we have taken in

4:32

order to start driving traffic it’s just

4:34

making it worse all those conservative

4:36

choices we have been taking in order to

4:39

stop it it just make it it stronger so

4:41

we are Trina a market we are creating

4:43

our feeds is huge monster so that’s why

4:48

I certain to have this approach towards

4:51

a program and there is no shoes a priest

4:53

is not because I was trying to insult

4:56

religion or anything it just because

4:58

it’s one of the obvious institutions in

5:00

the country

5:01

an American Civil this institution and

5:03

the point is that even that institution

5:06

has been taken by the library traffic as

5:09

it has happened in Italy a second in

5:11

Colombia too so I don’t have taken a

5:14

pre-socratic in an engineer pretty much

5:16

everybody’s working for it now so i used

5:19

to choose because well it was a very

5:21

strong symbol of foreign culture to a

5:24

night night it was perfect one as we see

5:27

the very first shot to be handed on

5:30

church I mean sub church with burial

5:32

place all falling apart so it’s like

5:34

this power behind everything another

5:37

same time now where can I do yeah so is

5:43

there a Chilean in okay so okay the

5:47

content is about my best try to prove

5:52

that in Chile people have been making

5:55

the same film for almost 100 years

6:05

especially

6:07

so the idea was to prove that the makers

6:12

are depicting the lefties and righties

6:15

since 1920 85 and about the deform what

6:21

I try to do was to use well to walk away

6:24

from big productions with gigantic crews

6:28

big budget and big equipment and I don’t

6:34

try to bring cinema closer to other art

6:38

forms like poetry for instance that

6:42

going to use a pen and a paper so I try

6:46

to care to keep the quality of the film

6:51

as a youtube film were like very big

6:55

held and really low fire yeah so that

7:00

was good and well this film was made

7:08

while i was in cuban and i was very

7:12

trying to acquire door so i was in

7:14

eastern Cuba very remote part of the

7:17

country and I meta glad for this elderly

7:19

man and I was touched by his world

7:22

that’s very sort of solitude with its

7:25

own piece of time and he barely had any

7:28

contact with other humans and so I was

7:32

sort of a dog

7:32

ending this and then when I went into

7:35

the editing of the film I started to

7:37

think about why it was that I was so

7:40

drawn to him because I think often as

7:42

filmmakers my belief is that in my

7:47

experience I’m drawn to people that I

7:50

guess I see some part of myself in them

7:52

and so I realized that this loneliness

7:56

that I had seen in this man or the

7:58

solitude was something that I also felt

8:01

through that I also experienced and so

8:02

we were sort of united by this but then

8:05

there was this impossibility of ever

8:07

really connecting and so that’s what the

8:11

film is about is representing this kind

8:12

of dance between two lonely individuals

8:16

beautifully done wheezes yeah here’s my

8:22

rights and they make me sick I and I

8:25

hate a lot of merchants of people so I

8:28

avoid anything like that as a killer is

8:31

to work setting up amusement rice and

8:34

people always kill themselves and we

8:37

always laugh cuz with no kids laugh at

8:39

that kind of thing and uh so yeah I just

8:42

stood the camera into this right at the

8:46

X the big Canadian exhibition that we

8:49

have here and I just you know I just

8:54

recorded that I I felt you know I always

8:57

think that he’ll make me hell makes me

8:59

laugh like the idea of a place

9:01

there’s frames and crowd ously

9:03

absolutely hilarious is like really

9:06

idiotic to me so you know I just

9:08

celebrated that thank you

9:17

oh ok

9:22

i get i get a

9:24

for work and large amounts of people

9:27

really freaked me out that’s that I’m

9:28

not saying I’m a misanthrope although

9:30

I’ve many of accuse me of that and the

9:32

bottom line but I will deny it don’t

9:34

tell my dying day okay um somebody yep

9:41

shown the back and the museum Cynara and

9:44

everyone this is a wonderful program a

9:46

lot of really strong amazing work a lot

9:49

of work on screen and it’s just a

9:52

wonderful to see this collection of

9:55

toronto-based and canadian-based work

9:57

it’s amazing thank you thank you a

10:00

Canadian authorities in vancouver camino

10:05

montreal and i said to know montreal and

10:08

toronto toronto toronto so yeah i met

10:12

somebody else only makers are going to

10:14

be here when I hundra now is even

10:16

between Colombia Venezuela he’s a

10:18

working with a big big project and my

10:22

question is for Lara aye I think your

10:26

film is beautiful and it’s just another

10:30

level is very well done and I’m just

10:33

kind of questioning that what I saw what

10:37

your to the introduction of yourself in

10:41

it as first your boys by making the

10:44

question why are you thinking and your

10:46

toes at the at the end and I don’t know

10:49

if I self and I’m missing another one

10:51

but I’m just interested in

10:54

it is that like that choice of including

10:57

a bit of yourself and in it in

10:59

comparison to all of it yeah it’s

11:03

something that I’m still questioning

11:04

whether that was the right choice or not

11:07

because on one hand you know if I would

11:12

have taken that presents out I think it

11:15

would have just been a very clean

11:16

portrait of this man in his space but

11:21

that wasn’t really the heart of what I

11:23

wanted to represent what I wanted to

11:25

represent if I go to the very first

11:27

image where there’s these two little

11:28

lights that are moving around in the

11:31

dark it was I wanted to talk about this

11:33

this dance or this space between the

11:37

lights and so I felt that I was part of

11:45

the film and so that moment when I ask

11:48

Eduardo what are you thinking it’s like

11:51

I recognize that on one hand it breaks

11:53

this world and it breaks the silence but

11:56

I also chose to include it because I

11:58

felt that it was such a concrete way of

12:01

representing I asked him and he never

12:04

answers you know and so that was kind of

12:07

the crux of of the story sorry but to me

12:11

it does answer to me door sensor because

12:14

his his gaze tells you so much saw him

12:18

even saying anything and that’s I agree

12:21

that the next shot you have to have that

12:23

other shelters will be perfect

12:27

oh yes please yeah my question was put a

12:32

foreigner actually had to say I really

12:36

enjoyed the film but i wanted to share

12:38

something really fun ashley everything

12:40

Lucy cuz ever you relate to the

12:42

character because actually how I do shoe

12:45

today this kind of like exactly actually

12:51

I was walking Thursday and I was walking

12:56

down college on the way to an event but

12:58

I was birdie I said I’ll go get

13:01

something to eat around here you know

13:02

there must be some way to eat some

13:03

walking around and then I’d like see

13:06

this like this like party one on this

13:08

little restaurant so there’s no fun you

13:11

know so I go in I saw look at the window

13:14

look at the same plane is Brazilian

13:17

music hello music hello music

13:20

Wow awesome perfect i’ll just go ahead

13:23

and they’re just sometimes wait is over

13:25

so I walk in there and it’s like i see

13:28

like you know girls making out oh wow

13:33

this is so cool girls both a

13:38

little bit annoying mine so they don’t

13:41

like you know i see i see her and she

13:44

was a person to anyway that’s community

13:46

look interesting something she can be

13:48

pretty silly antics as well be living

13:51

below i ask you to be teaching our dash

13:53

go home there’s a time long enough she’s

13:56

talking full of each is another problem

13:58

start dancing and had a great time and

14:01

then she told me

14:08

I’m scared and I see the seller is

14:10

basically like it feels like surreal

14:21

so it’s not a short story but I think

14:23

it’s a great film and it almost like

14:27

these people I always by Iron Chef this

14:30

is like if you want to that’s great it’s

14:36

really funny because I could I need

14:38

every single person in the same

14:43

community from Xavier office afaria now

14:46

looking at faith ends with every single

14:48

one is in the background and analysis

14:52

and I put in the community and I can see

14:55

how you hadn’t come from your community

14:56

support and it’s really amazing to watch

14:59

it’s pretty great lateral and also

15:04

continued on the foreigner that I really

15:08

enjoyed and as a brazilian i can i can i

15:12

can really understand why i chose not to

15:15

put the subtitles because when he is

15:19

talking with the form the brazilian guys

15:22

talking with this morning he’s trying to

15:24

get the for a guy to go and get a girl

15:28

dance and but he’s got his hand like

15:31

that and then you shoot the end and you

15:33

can see and then the guy understood that

15:35

he’s asking him dance but that wasn’t

15:37

related and so as a brazilian i know

15:40

that what’s happening and then you can

15:43

really relate to the foreigner in that

15:46

aspect us and he just misunderstands and

15:49

goes for it and if it was if it was

15:52

translated then the people who don’t

15:54

speak Portuguese would know more than

15:57

they want a foreigner moves so I

15:59

appreciate the fact that if you

16:01

understand Portuguese yeah I don’t know

16:03

that he’s not anybody I’m dance but if

16:05

you don’t you might might agree with the

16:08

corner when he gets his it was really

16:10

neat that would a funny story up at them

16:14

shooting it because as you mentioned it

16:16

was such a new project and dem most of

16:20

the cast and the Astros on sets but

16:23

Portuguese except for Nathaniel is the

16:26

lead and then all a lot of the crew

16:29

didn’t misspeak Cochise and although

16:31

there was a script the riddim of who

16:33

stars as that his partner was add the

16:37

vanilla like Nikita and he was being

16:39

really funny and so everyone would be

16:41

laughing try not to laugh and every like

16:44

the GOP and the Daniel had no idea what

16:48

you think dagger times it was like the

16:51

diamond look at the film played out of

16:52

Austin on the set and an end another my

16:58

favorite story of the stat ilysm you had

17:01

this focus puller just wasn’t like

17:05

feeling the music she’s just really

17:07

stairwell the entire shoot but I caught

17:10

it on the very end the very last take

17:12

dancing to the music and like grabbing

17:15

another person from the set and dancing

17:18

and there’s a yeah everybody is going to

17:21

fall off yeah I gotta never told me how

17:25

to dance for robust here and to chi

17:29

okay we have to rub it out I’ll

17:31

coordinate just one of us easily have to

17:34

update for you tell charge upon us okay

17:39

see how do you find us work starting

17:42

Louise’s mother I borrow other people’s

17:45

cameras and an actor and yeah I just

17:50

steal people’s stuff and music well this

17:58

is a work that I mean while i was in

17:59

school into this so it was the school

18:02

finance yeah is to read 20 and to invest

18:09

on the 20 i’m still waiting for the

18:13

budget sort of made it up there’s not

18:21

much that it’s too late but I had a bit

18:28

of grant money but mostly it was from

18:30

fans and finnaly the community and a lot

18:33

of people just prefer free and really

18:35

supported of them well in my case i’ll

18:39

be working for them to forbid year so I

18:41

mean learning how to announce different

18:44

kind of freudian so indication to assign

18:48

gogo campaign or so

18:50

or entities are this is like the way I’m

18:54

doing a shaft website run another

18:56

indiegogo campaign last November for ten

18:59

thousand dollars which he was like half

19:01

of the bottom usually combining like

19:03

using camera for somebody in 34

19:06

somewhere their son a musician and its

19:09

portfolio he was abusive inside that so

19:11

combining resources mostly the

19:14

production this is what I’ve been doing

19:15

mostly also okay thank you sir

19:41

Oh

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