Watch artist and horticulturist Justine Jenkins’ tour of ‘Cornelia Hahn Oberlander: Genius Loci’, which took place on July 15. #AGAlive is made possible by the EPCOR Heart + Soul Fund.Watch artist and horticulturist Justine Jenkins’ tour of ‘Cornelia Hahn Oberlander: Genius Loci’, which took place on July 15. #AGAlive is made possible by the EPCOR Heart + Soul Fund. …
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Introduction
Introduction
0:00
Introduction
0:00
Creative Space for Play
Creative Space for Play
12:05
Creative Space for Play
12:05
Sandbox
Sandbox
16:48
Sandbox
16:48
East 3 School
East 3 School
18:04
East 3 School
18:04
Portland Hotel
Portland Hotel
28:52
Portland Hotel
28:52
House
House
35:14
House
35:14
Front door
Front door
35:52
Front door
35:52
Waterfall
Waterfall
36:30
Waterfall
36:30
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Introduction
1:29
hello everyone and welcome to our tour of the exhibition cornelia han overlander
1:34
genius loci by justin jenkins my name is michael magnuson i’m the new public program and
1:40
outreach coordinator at the art gallery of alberta to start this program i would like to do a land acknowledgement
1:46
we are currently in the aga building which is in 36 territory in edmonton
1:51
the traditional land of diverse indigenous peoples including the cree blackfoot metis nakota sioux iroquois
1:58
inuit and ojibwe salto anishinabe we acknowledge and extend gratitude to
2:05
the many first nations metis and inuit whose footsteps have marked these lands for generations
2:10
and who continue to call this place home today this tour is part of the public program for the exhibition
2:16
cornila hand overlander genius loci curated by amory cavalli and dr hillary
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ludwin this exhibition explores oberlander’s work to reveal connections that forge community and foster a deeper
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alignment with ecology and the natural environment featuring renowned works such as robson square
2:35
the national gallery of art and the legislative assembly building and capital site at the of the northwest
2:41
territories this is the very first hybrid program uh we have people in the background
2:46
and we also have people uh watching zoom and also facebook so that’s really exciting uh this tour
2:53
will last roughly one hour with the q a at the end uh one thing to mention for people
2:58
attending virtually is that i will be moderating the chat so if you have any questions for a q a
3:03
please use it use the q a function and we will try to answer them at the end uh this aga live is made possible in
3:10
part through support from the heart and soul fund by epcor and i would also like to thank the candidate council for the arts
3:17
now i will introduce justine jenkins our tour leader this evening justine jenkins has over 25 years of
3:24
experience in horticulture and environmental design and is an education coordinator at the university
3:29
of alberta botanical gardens their work includes education design and consultation for home and public
3:36
installations their artistic practice in print making has a keen interest in intelli
3:41
intelligence mark making artistic and focuses on observation of our
3:46
natural environment sorry it’s hard to say that word so without further ado here’s justine
3:53
thank you very much michael thank you very much to everybody who’s watching and thanks very much to the aga
4:00
for having me it’s an honor to be here i’m really excited about um design uh i was i have
4:08
had a diverse career and i’m really excited about uh some of the work that i did do at the
4:14
university of alberta botanic garden i’m no longer there but i was there for i was at the university for 18 and a
4:20
half years and i i’m kind of a plant nerd so that’s a positive thing i think
4:27
i like being a plant nerd so um i’m interested in plants but i also have
4:32
graduated from ocad university and studied environmental design there so i do know about design and i have taught
4:40
segments of design and i i also have designed many things um but i’m very interested in how
4:47
communities interact and intersect with our environments and there’s something that
4:52
i’ve observed in overlanders work over the course of her 70-year career
4:58
and that is what i call a pattern language pattern language is something that um
5:04
[Music] really frames what i’d call the
5:11
colloquial and it makes people comfortable and
5:19
she was a genius with this quite literally it create it we’re blessed really to be
5:26
able to actually see things that are so understated in the natural environment
5:32
but required a tremendous amount of intense research in order to get there
5:37
there’s you know didactic panels and interpretation and there’s a really lovely gallery
5:44
guide that’s probably in the shop for sale which is great reading um just a little bit about details and
5:50
souvenir i know sometimes people come to things like this because they’re interested in landscape design
5:56
they’re designers they’re architects they’re public programmers [Music]
6:02
they may be interested in like social housing or perhaps just the environment in
6:08
general and then people are here sometimes just because they want to affect change or affect something
6:14
interesting in their own personal world and it has nothing to do with
6:19
anything that may involve procuring a landscape architect to do that
6:25
so tonight i’d like to talk about things that will hopefully be of interest to you that may apply in some way plants and
6:33
people apply to your living and then other people’s living i hope that’s what you’d like to listen
6:40
to and if you don’t please feel free to interrupt me and ask questions and i’ll try to answer any of those other
6:46
questions as well okay so um maybe we’ll just come into the gallery here and we’re going to kind of do this in a way that
6:54
showcases some of the fantastic projects and some of the details
7:09
now every once in a while i’ll talk a little bit more about plants specifically so if anyone grows plants
7:16
if anyone grows plants or would like to grow plants i have a lot of background growing plants so i can certainly help you
7:23
with those specific things but then i’m going to talk a little bit about design and some of the things that which i
7:30
personally think are genius and perhaps mindfully if we could come into you know a
7:37
partnership with our built environments and consider these things as people in our community i think it
7:43
would help our living in the city so i’m hoping that that’s reasonable um when we talk about some
7:50
projects and you can look at the exhibit yourself i mean many people have come and seen this exhibit more than once i’ve run into
7:56
people more than once in the exhibit myself and i’m taking fervent notes and writing things and going back and coming back
8:03
i create a little bit of attention just because i’m looking at things in such fine detail but one thing i really love about this
8:09
particular project is um cornelio is really a champion for
8:15
people but people who lived in a place where how can we how can we make something wonderful out of the place that we have
8:22
and i find sometimes we don’t always do that in our modern living in 2021
8:29
well maybe the pandemic did this for us we had to kind of make something great out of what we have
8:34
instead of always looking at something else being better than what we have and one of those projects that’s just
8:39
phenomenal is this neighborhood um playground that was designed um in
8:45
philadelphia and one thing that i just wanted to say was she had this amazing attention to detail
8:51
that is integrated lots of aspectual things about living that didn’t have just to do with
8:56
it’s it’s called a playground so we often think about playgrounds as places where children go so i think
9:02
about a modern tot lot and this is a bit of a criticism but you know you send your kids there
9:08
and you sit on a park bench and the kids uh go on to prefab you know playground
9:14
equipment and then there’s you’re bored and hardly waiting for them to leave
9:19
like are we bored yet can we go home uh and and these playgrounds were designed
9:24
so that people could interact of all ages all backgrounds and basically had complete respite
9:30
in the city so the idea of providing respite to people it was really a huge goal of hers you
9:37
know it doesn’t matter about your social background doesn’t matter about how much money you have it doesn’t matter whether you’re rich or
9:42
poor she designed for people in general and one thing about this project that i
9:47
absolutely love is that she had places for people to actually play games but but people could have
9:55
you know if you’re adults you could play games so you could hang around and you could go and um you know play chess or you could
10:02
play other games and then there were play areas and a lot of times what she ended up doing is
10:08
implementing what she would call like a junkyard playground into a space which is amazing and and
10:15
built forms that were just replications of something in nature but they weren’t there were no
10:21
directions like if you want to use a teeter-totter you basically have you know gravity and someone across from
10:28
you you know this is that’s the way works or a swing works but a lot of her built forms for
10:34
children were very much spontaneous and sort of uh
10:41
indirectly guiding children towards their own self-discovery and
10:46
development which was something that i think if we could all guide ourselves to our
10:52
own self-discovery and and um and uh just wonder in our natural world and natural world
10:59
within the city and a sense of respite in a place i think that’s a good goal to have
11:04
if we’re thinking about the things we want out of the city we live in edmonton is anticipating another million
11:11
people to come into this footprint and the footprint is can’t just expand indefinitely
11:17
it’s going to be a place that has to be usable and people will have less personal space
11:22
and more communal space and so i guess what this plays to is a thought about
11:27
how does that communal space that’s built in very small areas how is it socially equitable and
11:34
developmentally equitable for everyone who uses it and that’s a thought it’s not just about
11:39
children it’s just a thought okay and this is an example of some of her research she was amazing at her
11:44
research and she did lots of research and then when she implemented things she implemented things that were
11:51
totally incredible but also um gave a situation where um
11:59
uh it seemed almost like it was effortless uh and that’s something that i find
Creative Space for Play
12:05
really uh fantastic uh one project that i really
12:11
wanna um focus on too is the creative space for play and did this project here
12:18
for one thing i just if i as a printmaker if nobody minds i’m just gonna come over and talk about these prints
12:26
these design prints i know here’s my big huge nerd
12:32
the color in these are just phenomenal this printing this is not this is this is like a uh
12:39
blueprints like an old school brown print that’s colored but also partially hand
12:47
rendered and uh just a phenomenal for its own sake
12:52
piece of art it’s incredible but one thing about this project the canadian government pavilion
12:57
children’s creative play garden that was just amazing in my mind is the use of an ability to
13:04
implement a space that she called a vest park pocket like a vest pocket park
13:12
so basically you have a vacant lot somewhere build a park i’m gonna just this is a question you
13:19
don’t have to answer but if you could stick it in the back of your mind and think about it when you’re traveling through edmonton
13:24
on your bicycle a public transit or your car you can’t find a place to park the best
13:29
thing about it is how many times do we stop and there’s a little tiny area that’s just a vacant park and
13:37
wouldn’t that be great if there was a garden or a park there
13:43
just a little space that’s this big and there are trees and a place and respite
13:48
and benches it would be a different city so it’s something about the way she
13:54
thought things could get scaled up or scaled down anywhere this is a plan of course so this is
14:01
platinum plan that shows you know different areas based on age which is quite interesting and the
14:09
interesting thing i also felt was there was a nursery area that that was enclosed and that was for you
14:15
know safety you could leave a four-year-old in there and nothing would happen to them really
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probably okay and they were free to explore so what’s in there sand there’s also
14:27
you know hedges and then there’s also trees the scale of trees are something that i
14:33
find really interesting the full-scale trees in these designs so
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this is like obviously an elevation drawing or actually a prospective drawing of that
14:44
plan uh to scale has the area where there’s a viewing platform for the pavilion so you
14:50
could be a casual interactor in this space but still gain some respite from the trees and the green
14:56
area and then also the built forms and it’s pleasing so it’s a pleasing
15:01
space but it’s the world in miniature and there’s a couple of examples of world of miniature that i want to talk
15:07
about because that’s something that’s when people are trying to design landscapes i think what they do is they often say you know
15:14
okay make a list of the plants that you like i want a native garden i want a pollinator garden or an indigenous
15:20
garden or something where the plants are native or or this is naturalized or it’s a
15:26
cottage gardener there’s certain types of garden design and that’s fantastic but it’s also a
15:31
matter of saying how do we create a small world in miniature so that we can have a lovely place of
15:38
respite for ourselves and that pattern language where you pick on the pickup on
15:44
colloquial things that make people comfortable inherently you’re going to find a way to provide respite
15:52
and one of the things that prenila did that was completely genius was
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instead of taking a park which we find an awful lot that has trees lining the outside and a
16:03
huge expanse of lawn and there’s nothing on the inside she created sort of a focal point
16:09
where the trees provide respite in the center of the space and then everything flows from the
16:16
outside of that which is something that makes it so that you could play under there and feel respite but you
16:22
could also be along the edges of this and feel some sense of respite it’s a place where you
16:27
feel safe comfortable and it’s a small scale design small scale in the sense that it can be
16:33
sized up or sized down and it’s really adaptable for lots of
16:38
different types of uses and that sort of comfortable feeling for all
16:44
the users one thing about this project that i
Sandbox
16:50
absolutely love is is this this slope in the sandbox area
16:56
so i don’t know if any of you have children or you’ve probably been a child yourself
17:01
but most children love to climb all over everything so really literally she would take the
17:08
natural terrain and she would actually implement you know a sloped retaining
17:13
wall many times in her designs that would create a place where somebody wanted to climb up
17:19
so often cornelia was a genius for working with the typography as it existed rather than
17:25
altering the typography and saying well there’s a there’s yeah there’s like a huge slope here and let’s
17:32
just level the site and somebody would say some other person would say yes exactly
17:38
like the slope would be a hindrance and it’s impossible to grade or or build into but but she
17:46
would capitalize on that and there’s a private residence later on in the exhibition that shows that
17:51
which is really quite a genius way to draw people into what others might consider to be a
17:57
disadvantage but was quite phenomenal
18:03
this project here is probably the most exciting project in this exhibition for me and there are some
East 3 School
18:10
things that i find just completely amazing the east 3 school is located
18:18
2 degrees above the arctic circle and it’s built on permafrost so there’s
18:25
a series of pilings in which the buildings anchor down into the ground climate
18:31
change is a real huge factor in the design of this and the building of this
18:36
and this is an indigenous garden and uh school space
18:44
we all know though in isolated communities people have to use a school for other
18:49
things so the design of this school was for all over development for the students
18:56
there so uh cornelia was um you know um she did amazing things where
19:02
she would put in a berry patch she would put in things where berry picking was something that you could do
19:08
but it was also a community gathering space where certain aspects of um
19:15
you know gathering of community uh education from elders consultation
19:22
with elders was something that she did in her design process and research gathering but it was also something that would be
19:28
past school the timeline of a typical school day so the entire community could use the space
19:35
one thing that’s amazing about the trees was she got permission to actually
19:40
collect seeds and cuttings and trees that have what we call in the
19:48
green world providence so you always want to put something in a landscape that has the same providence
19:55
or a provenance that can withstand the conditions in which it’s being grown and where you live so what she did was
20:04
she grew on these plants and then took them from the nursery so
20:10
she’d take cuttings threw them on for two years and then they were installed in this project so
20:16
they’re from the place the trees had all the roots cut they were cut two years before the
20:22
installation so it was a situation where that is something that is from a site is
20:28
carefully obtained from its natural environment its providence is of a place similar
20:35
so then it goes back into a place similar it’s like saying i would like a brand
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new tree in my yard but it’s grown in
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oregon and it’s zone five or something and we live in zone four and it’s borderline hardy anyway
20:53
and it’s awfully dry here and there’s other conditions that make it very difficult to transplant
20:59
but if you grew a tree down the road and it had a providence so the seed and
21:05
or the cuttings and or any type of propagation for that if it was a perennial if the providence is from this place or
21:12
a place that’s similar in latitude or elevation or harshness of environment and then you
21:18
turn around and install it in a place that’s new chances are that’s going to be very successful when you put it into
21:25
the place that you want to grow into and so she was a pioneer that thought ahead of her time many
21:32
people when they’re sourcing plant material don’t do that universities do that
21:37
work at the university and other botanic gardens in canada do it all the time so i do know that people at ubc botanic
21:44
garden do that other people who do collections management botanic gardens from all over the world actually do that
21:51
so where’s the providence where did that seed come from if it was grown from seed if it’s grown at an elevation or an
21:56
environment that’s similar to the one you’re planting into chances are that seed is more successful
22:02
the worst thing you can do in such a harsh environment is try to put something in there
22:07
and it’s such a benchmark and pivot point for the community and then it doesn’t work so this is a really important point now
22:15
some things that cornelia did in this is a sort of her like her you know her research-based
22:23
conversations about what she was doing which is phenomenal was she had like social studies
22:30
sort of generally the natural settings and how how to how to learn with elders
22:36
because she worked with elders and this is something that people do all the time now but this is 2007.
22:42
this is a significant period of time ago in our living and this this is super helpful because
22:49
if you consult with community groups that actually know something about the history of use of the plants
22:55
then that ethnobotany gets translated into that social fabric and that social fabric is the
23:01
children and everyone else in the community who needs to learn and garner from that rich knowledge and it’s actually in the
23:08
site which helps everyone now some of the plants that are just fantastic
23:14
that can be grown in edmonton that i wanted to kind of talk about here like for instance if you’re looking for
23:19
trees that you want to install um the piscea glaca is the white spruce
23:25
and you know it’s like some people might say it’s not the most flattering of all
23:31
spruce but it is endemic to western canada so it’s something that you might want to
23:36
consider and then of course uh lyrics uh lara cena which is
23:42
like large that’s a deciduous conifer that drops its needles that loves to be grown in this area we
23:50
have rosa cicularis which is native um and then also different types of species chapertia
23:57
ketodensis which is a soapberry so it actually the fruit on the berry
24:02
actually produces a soap or a lather saponin is in that and then also
24:08
blueberries and cranberries so fruits small fruits part of the learning
24:13
and connecting with community was berry picking was part of that curriculum adapted to
24:21
social interaction and recreation which is quite interesting and then of course grasses one of the
24:27
one of my favorite plants on her list is arctostophelus irva ersi which is bareberry
24:33
and you can find that in the canadian rockies it’s an important medicinal plant and it’s a
24:39
low-growing ericaceous evergreen ground cover which is really lovely so some of those plants are really great
24:46
if you’re looking on putting plants in your own garden and you think i’d like to source these and i don’t know what to grow
24:53
that is endemic to this area some of these plants on this list can grow in your garden in edmonton
24:59
so if you’re looking to put in a naturalized landscape that’s definitely worth a list to look
25:12
at this project here the skeena terrace low
25:20
rent housing project and the reason the word low rent is kind of something that makes me nervous
25:28
in the sense that i don’t know whether people should be referred to as being able to pay less rent than other
25:33
people but the nice thing about this project is um
25:38
and maybe that term was coined and given so it’s nothing you can control but one thing
25:44
that was fantastic about this was the use of plant material to create
25:49
in social housing to create courtyards and to create access to
25:57
food plants which we find all the time this project was built and the this
26:04
project was built and it is basically intact as it was built so in this advocating landscape it was
26:11
designed for marginalized people to have access to
26:17
housing that created a a green and lush
26:23
place where the concept of having your actual own backyard
26:28
might not be something that people have ever been used to but when there is
26:34
a sense of respite and a place for someone that sense of place creates
26:40
more comfort and it also helps create a bridge between
26:45
um you know having a situation where you lack and it’s inhospitable and you
26:52
are in a place of comfort and it is more natural for you to feel that you actually are living
27:00
being in a place where perhaps much of your life might have been not so hospitable so it’s really
27:07
interesting how these areas here where you see all of these areas here this is areas where we have areas where
27:15
there’s certain like little spaces they’re offset from each other in their
27:22
design physically so that there’s a sense of some privacy which is
27:27
perhaps unheard of when we’re trying to design apartments but then also corridors of green and
27:32
access to food plants effect food plants shade respite gathering places
27:38
that is um perhaps perhaps we should be thinking of
27:44
trying to implement that more so that if we have shared spaces that shared space is
27:50
not just beautiful but also useful and it also provides for people who
27:55
perhaps have less than others so it’s something that i really love about the way she worked
28:02
now this project was built in 1965 so it’s almost 56 years old which is
28:10
it sounds like something you see more in our choices in 2021
28:17
but in 1965 it was something that people were on the edge of discovering as something that would be
28:24
actually truly helpful to you the human condition which i am truly inspired by
28:32
so we’ll come over and we’ll talk a little bit more if that’s okay
28:40
about all of these things
Portland Hotel
28:52
now there might be some of these projects i touch on a little bit more than a little bit less i feel that
28:59
um one interesting thing about this um place here is the portland hotel public
29:06
housing project um was designed with arthur erickson famous canadian architect
29:12
but one thing that was really lovely about this was the use of the courtyard as a space
29:18
where people could gather so that created an inclusive place where people could gather and also a
29:25
sense of respite for the areas there’s an expansive uh staircase between areas here
29:33
where people could go and actually um you know
29:41
use of expansion in built forms creates a sense of luxury for most human beings
29:47
which was almost still afforded most of the time i mean we follow building codes and we
29:53
have to have a minimum space so two people can pass so i can go up and you can come down but this was designed so that there was
30:00
quite an expansive place for people to be able to actually interact um
30:06
which is sort of unheard of in an urban setting so it’s really quite lovely you can see here in this
30:12
hand rendering it’s really lovely we have um you know a bridge area
30:20
uh there is a place for growing plants like herbs for social housing for people to use so
30:27
they could cook they could actually implement their own um food and communal
30:35
space like sharing and also um areas of uh in here we had apples
30:43
okay and then um and apples and plums were implemented in the
30:49
design and that’s also food gathering so people who are perhaps on a tight budget don’t have
30:55
a lot of access to fresh food maybe leave live in a food desert which happens a lot in edmonton there’s no
31:01
access to fresh food or it’s very expensive she implemented these things in design
31:07
so that people had access so you could use the food and tents as it were that you could grow the food
31:14
and have a place where you could gather which is very useful to people i’m just going to
31:20
touch very quickly on this public housing project because the nice thing about this was again
31:27
public housing project that’s a little bit more advanced in the sense that the idea again for
31:33
uh cornelia um really worked on is was the idea that even though it was
31:39
a communal space it was like you had your own yard so some of the plants that
31:44
some of these plants some of the species of these plants won’t grow here but there are certain
31:51
things that are really super tough and hearty that if you’re looking for things to implement into your own natural
31:57
landscapes and you’re thinking i need something bulletproof uh some of the things that could
32:02
be grown in here grown here like from the point of view of their um
32:08
uh their genus rather than just their species that she’s got on our list that i really like are um and definitely worth a try
32:16
there’s lots of different kinds of roses here so they were grown for scent you know and also their beauty so
32:23
um canada is home to one of the i would suggest that modern rose
32:28
breeding in canada is probably the most prolific in the world so we have some of the most
32:34
interesting and hearty roses in the world being bred right now in canada and they have been bred in canada for a
32:41
significant period of time so there’s a huge plethora to to
32:46
bank yourself on and it might be something that people don’t often think about as a
32:52
plant so flowering shrubs and then also we have um a different uh different kinds of
33:00
honeysuckle but one one one honeysuckle that climbs that’s lovely and worth a try
33:06
is the drop more scarlet honeysuckle which was actually bred um by um bred by the skinner family
33:14
in um in manitoba so it’s a canadian bread honeysuckle with and it attracts
33:20
hummingbirds um and then also we have um uh different types of pines pines also
33:28
are extremely drought tolerant so they need a lot of sun and they’re also extremely drought tolerant so if
33:34
you’re looking for ways to implement things in the landscape don’t need tons of water that’s definitely something that
33:41
you might want to consider also if your plants are mulched they require 30 percent less water
33:49
yeah minimum 30 percent less water if they’re mulched so if you’re belong to a tree planting
33:55
group and you’re trying to revitalize natural areas if those trees are mulched they’re at
34:02
least 50 percent more likely to transplant because they’re mulched all you have to do is just put a little
34:07
bit of mulch around the root system and water them in and you’d be surprised now i’d like people to plant trees
34:13
differently than that but i’m just saying from a bare minimum it’s like a bare
34:19
minimum okay if anyone has questions about tree planting
34:27
oh yeah absolutely like this was 1954 which is totally phenomenal you know
34:32
like it’s just it seems timeless you know it’s timeless and then of course this project here was 1955
34:40
and it seems timeless so in 2021 we might need to look back at some of
34:46
the innovative things in order to help ourselves remember common human history
34:51
and how there was some very innovative things being done we’re going to talk about more
34:56
innovative things just right over here so if you want to join me we’ll go over here we’ll talk about more
35:03
innovative things
House
35:14
we’re going to talk about this house because this is pretty amazing does everybody want to
35:20
come right in we’ll have everyone come right in that way everybody feels like they can actually see this photograph
35:26
and these drawings okay so this is a classic example of how uh design was approached
35:34
with what existed okay so this landscape there’s a couple things going on here
35:39
that i find totally phenomenal okay and it is the house was built
35:46
and the landscape had a tremendous rise on one side of it okay
Front door
35:53
now it’s hard to sort of see however that’s the front door on the lower level
35:58
of the house so you’d come in the gravel drive and you’d go in here
36:04
now a lot of people would say what on earth would you why would you do that well it research has shown and from
36:12
interviewing and looking at the design drawings and everything else this was built like this because this
36:18
was clay and hardpan and to and to get an excavator in there in order to level up
36:23
that site would have been a complete nightmare and a huge cost so
Waterfall
36:30
the when a design gives you a problem the problem gives you a creative answer
36:36
so sometimes when you have a creative answer for that it’s just phenomenal so in this case one thing that’s
36:42
interesting about this planting here though is this is planted sort of like the waves
36:48
of the ocean it just cascades down a waterfall
36:54
the shrubs are planted just like this so they create a rhythm
37:00
and you don’t really realize it until you’re standing there that you go oh that’s so relaxing isn’t it
37:09
so a concept in nature is borrowed in the form which sounds like a
37:16
strange thing to say so there’s a pattern in the form that is bored from some other natural phenomena
37:23
and this is we see this in japanese garden design where the world is built miniature and
37:30
then there’s rocks and sky and clouds and parts of the natural
37:38
world that are sculpted into the plants but the application of this where
37:43
there’s a casca is cascading planting that is just a pattern language
37:50
the average person standing there just says to themselves i’m not sure why i feel so comfortable here and it’s
37:57
because those are those are replicating a cascading waterfall
38:02
on the edge of a slope in plant material that creates the scale and rhythm that
38:09
your body says oh that’s just like the water
38:16
and crea it’s created from a lot of research and a lot of intuitive intuition
38:21
which you don’t always recognize but there are things about stuff that you love and you think well i live in the
38:28
middle of a landlocked place with no water how does it and i love the water well
38:34
you have to work with what you have in this case it was a flaw
38:40
that was capitalized on in a built manner which i find intriguing
38:47
and i do believe that landscape is still intact so over all that time it’s still any
38:54
idea yeah actually i think it’s right here um
39:01
sorry you know what i’m very sorry because on
Plant List
39:07
her this initial design drawing that she has she just has the shrubs and the scale of them
39:14
but she doesn’t actually have the plant list on this so i’m sorry and on this this print here there’s
39:21
actually not a key for the shrubless so i’m sorry but you know what it might be something
39:27
because this is on the west coast this might be something that can’t be necessarily grown here but
39:33
there’s lots of plant material that could be grown well if it was sort of a shady
39:40
site i’d probably grow put in a maybe a low bush cranberry
39:46
okay so that’s deciduous but you could also put in a cedar although eventually the
39:52
cedar would grow really quite large so you might have to adapt
39:58
um the number of rows that you would depending on the spread
40:03
of something it’s hard for me to say exactly how many so for instance if you had something
40:10
that was this big when it was sculpted if you had something that grew naturally in that
40:16
shape that’s something that i would pick you could shear it of course it and and design it that way but um
40:23
the thing about it is is if it ends up growing you know to this size then all i would say is adapt that
40:30
for its scale implementation so you’d say to yourself okay i’m going to make a decision if the if that design normally had 40
40:38
shrubs installed i might be able to replicate that by installing like a third less
40:43
of the plant material so there’s a few things you could do if you wanted it to be evergreen that
40:49
would be lovely but it depends on the site itself and whether or not there’s shade
40:55
um and i don’t know exactly unfortunately even on well north is this
41:01
direction so that is north so i would suggest that you could put something in there that’s
41:06
i think that would be then uh that would be um
41:15
north that would be east and that would be quite a bit of shade because there’s
41:20
a rise there so the morning sun would only hit part of that but but
41:25
but it would require a little bit of it’s also very heavy soil so you might
41:32
have to very carefully pick the right plant and i’m sorry that i don’t know what’s installed there
41:38
okay yet you’re welcome does anybody else have any quick questions before we move on no we’re
41:45
okay okay five more minutes yeah okay no problem at all there’s just
41:53
two things i really wanted to talk about again i don’t want to go over like the these
42:00
estates that were were the best thing about this project here is the changes in the elevation for each
42:07
individual lot so this doesn’t have as much information in it i guess what i wanted to quickly talk
42:14
about here is some of the plant materials so um one of the things that people
42:20
one of the things that cornelia installed in these plant materials that um aren’t used as much in edmonton but
42:26
are fully hearty are rhododendrons and i just wanted to talk about as there’s a series of
42:31
rhododendrons that were developed by the university of helsinki and finland and they’re extremely hardy in edmonton
42:39
so they have a really extensive collection and that’s one thing about plant material i wanted to talk
42:44
about in here a lot of people don’t install them but um but they should perhaps more often
Approach from Site
43:00
okay the number one thing i want to talk about in this project is the approach from the site
43:07
so the line of sight to scale i don’t know if you can see this this is the person who’s here and then
43:15
at different times of year depending on whether the trees have lost their leaves you can see all the way across the whole
43:22
entire site so cornelia was famous for taking a sight even if it was extremely flat
43:29
and making it extremely interesting without changes in the terrain and actually putting in texture color
43:35
and different leaf patterns so that depending on the type of time of year if you had a line of sight you could see
43:42
the whole site over a long expanse and you could actually see the changes in seasonality
43:48
which would be super interesting the reason why i picked that up is because we live on the prairies and that’s a contrast to the other site
43:55
where this is extremely flat and then one thing i think i want to
Mending Natural Environment
44:00
talk about next just because we’re almost running out of time but this is actually a really important project and this is the northwest tory
44:08
territories legislative building and there’s that the thing that cornelia did with
44:14
this was something that she referred to as like mending
44:20
mending the natural environment so we’ve all been on construction sites well maybe some of us haven’t been
44:26
but we have been on construction sites where we have you know a huge expanse of earth that’s
44:32
upheaval it’s an upheaval of earth and then we put a building in there and then if it’s a place like the
44:39
northwest territories where you can see something’s on the site we own this much land this is a lot size
44:45
and then the natural environment is all around this she was a pioneer in dealing with situations where she
44:52
would actually actively repair the edges of a site so that it was
44:57
almost indiscernible you wouldn’t even know that the building was there so often it was
45:05
it was there not all of her projects are here of course but many of her projects were thoughtfully
45:14
researched but they were focused upon because the focus on her work was i
45:21
meant to say sorry is that there is a knitting together of almost like fabric between a tear in the
45:28
fair in the landscape where you disturbed it and then the fringes of the landscape where it
45:33
becomes almost one which is pretty amazing so in this building
45:41
was built specifically like that but i’m i’m running a bit out of time and i do want
45:46
to capture as many questions as possible and if somebody wants to talk about
45:51
other of the designs that i just touched on slightly please feel free please feel free
Water Mitigation
46:04
just just so we can get everybody’s questions even people on zoom yeah so basically if you have any
46:10
questions i’m going to repeat your questions and right now we have no questions in the chat so
46:17
if you have any any questions here uh for justine please go ahead
46:27
is anybody can anybody tell me if somebody doesn’t have a question can anybody tell me what their interest
46:33
is like you came here for a reason does anybody want to share what their interest is or something that
46:39
they want to learn yes i’m just a little curious about water talking about the west coast and having a slow breakfast
46:47
uh you know how do they use plants to
46:54
mitigate
47:05
well it’s really interesting plants actually capture a lot of water and a lot of people don’t
47:11
think about that they just think about runoff and soil erosion but plants do actually capture a lot of water and we
47:18
didn’t talk any at any extents of length about vancouver public library project where
47:24
cornelia actually installed a really important living roof and
47:30
green roofs are being installed everywhere now she actually wrote a manual for the
47:36
canadian government for green roof installation so when we think about heat island effect
47:42
and also slopes and water mitigation i do find that even if you do have a lot
47:48
of rudolph and it’s right next to your house if you look at the picture it’s not so
47:53
obvious from the photograph but what happens is the slope comes down but then it comes
48:00
this way so it comes down and this way and so it’s brought away from the foundation
48:06
um i mean there are french drain systems that can be installed in order to help and i’m not going to say run the
48:14
water off your property you shouldn’t really run any water off your property you should try to
48:20
capture all that water and actually divert it back into the system so at some point water
48:25
will find level and hopefully somewhere in your grating you end up finding somewhat level so that all that plant
48:33
material is actually capturing that water and it’s not running off and into the storm sewer or the city
48:38
the city sewer system if you can possibly do it okay so plants are great for that
48:45
they want the water the three drops of water that we have hopefully we get some more but yes
48:52
i hope does that answer your question yeah no problem is anybody else working on a project
48:58
they’re really interested in asking about if they want to plant a tree or put in a
49:04
pollinator gardener
49:10
yes actually the university of helsinki in finland is zone four the nice thing they have
49:17
going for them is of course they have moisture but of course there are standard rotos
49:24
that grow here that you can put in sheltered spots but the ones that have been developed and released
49:30
for cultivation they have hundreds of them on their site their growing site at the university but
49:36
they’ve released some so that they’re for sale and they’re slow growing but in sheltered
49:44
spots in edmonton they’re faring just fine i have two in my yard and they both bloom
49:50
this spring um these are about four or five feet but it depends on the cultivar
49:58
depends on the cultivar
50:05
yeah the thing is they won’t grow two stories high here but you know i actually have someone i
50:11
know who has a rhododendron touching their soffit of their house their bungalow
50:17
so it’s that big but it’s been there for 40 years so once you get them established if
50:23
they’re in a sheltered spot where there’s snow cover and not a lot of wood desiccating winds
50:28
you’d be surprised at what you can plant i have a question from our lovely zoom
Playground Design in Edmonton
50:35
can her playground design be built in edmonton with the city’s liability concerns
50:40
well i think the thing that’s interesting is is they can be built in edmonton with the city’s liability
50:45
concerns and of course i think that’s the thing about 2021 playground management you could build a
50:53
site with a you could certainly build a site with plants in it that is designed in a way that provides
51:01
respite where there’s not necessarily just like one or two token trees around a top lot
51:06
with a sandbox you could certainly do that could you build something that is
51:12
made out of um you’d have to change your materials under the city guidelines so for public
51:20
safety you’d have to change the materials because we’re talking about 2021 so there’s gonna be things that are
51:25
built that actually require less um like you could build a climbing wall
51:30
of some kind and you could build a sloped climbing wall or or a climbing i’m going to say if you build if you
51:38
build a raised wall that’s even lower than which is a building code requirement for a
51:45
railing and it’s stepped children will climb all over it
51:50
like it just it just you know and then if you had some you know some some land and plantings and another
51:57
rise you could create something creatively that’s not necessarily built exactly the
52:03
same way but but you have to be quite creative about it but i do believe you certainly could
52:08
take some many of the aspectual ideas that that cornelia is using and
52:14
actually adapt them to a little tiny small spot in edmonton absolutely that’s that sounds fantastic
Most Distinctive Features
52:20
i have another question from facebook this question is from susannah what would you say were the most
52:25
distinctive features of her design from your opinion i’m going to say
52:32
uh the the most distinctive features were the understated quality of her
52:38
designs very understated and it seemed almost like effortless
52:45
very natural very effortless very calming and very unassuming but a lot of
52:52
research went into them so that’s those are the those are the key things i think
52:58
i see does anyone else think of these designs differently would they
53:03
like to share something they think about cornelius designs that
53:09
well i didn’t know anything about it
53:20
and they mentioned that she was responsible for when you walk on the
53:26
need to make
53:41
it’s something that’s already there something that’s already there it belongs in our national environment
53:48
it’s right in front of you and it’s somewhere you know up in a pattern language a low wall is
53:55
somewhere where people will either play or sit so if you wanted to build this in edmonton and you built a low wall
54:02
that was stepped in two levels but it didn’t require a railing it was
54:07
low enough everyone with a coffee will sit and all their children will climb and clamor all
54:14
over and if it’s built or it’s logs they’ll go there and they’ll sit so we’re not vancouver and there is no
54:20
beach but there’s accidental beach but there’s just there’s no real beach but there’s a place
54:26
there’s a place gathering yes and it’s from something that’s actually just
54:35
there
54:45
it’s for everyone yes the green is there for everyone
54:50
and the green should be there for everyone that’s why she called things a vest
54:56
pocket park she called it a vest pocket park so it’s like this big you know and it’s just in this small
55:03
space in the city in the city i mean there’s a bus turn around
55:08
just north of here and it’s phenomenal the trees are phenomenal it’s a really
55:14
nice place to sit it’s just up the street city hall is over on the west they’re all new buildings here and it’s
55:21
a bus parking lot turn around it’s a really nice place to sit
55:26
so little things like that need to sort of be thought of about where we live and if you live in a
55:33
condo and you don’t have your own space but you have the ability to impact that space and you
55:41
live somewhere you should try to impact the space so that sharing quality is available to all the people who live
55:47
there i have another question from facebook yes uh it’s a planting question
Crab Apple Trees
55:54
we heard that columnar crab apple trees would work well in edmonton
55:59
is that true them or crab apple trees yeah they certainly will yeah they certainly will but you’ve got
56:06
to remember that when you buy them in a container they look like this they look like they’ll take up a
56:12
footprint of a dining room chair but they’re actually going to grow like this big
56:18
okay so don’t have it block your front walkway yeah so they do have a they are tall and
56:24
slim they have a fat what we call a fast get form but they still will just this big space
56:32
so don’t plant them you know like a meter and a half on center
56:38
it’s just going to be like blocking your whole space great yeah we have time for one more
Audience Question
56:43
question is there any question from the audience here since you guys came down okay
56:51
oh it’s okay
57:01
oh the geography in vancouver yeah okay i think the thing about urban density is
57:06
quite dense city so there’s people who don’t have a lot of personal space and if they
57:12
do it’s super expensive so it’s super expensive here too but it’s like
57:18
a lot more yes and then but it’s very green and then you’re basically have mountains
57:25
around you and the pacific ocean and so and really the pacific ocean is sort of
57:31
right there in the city so there are small islands that people
57:36
live on and also the city and it’s also quite uh it’s not flat like i find edmonton’s
57:43
relatively flattish city i mean it’s not as flat when you go into the river valley like this from the north or from the south
57:50
but other than that edmond’s kind of a flattish city and the trees are a lot
57:56
like bigger from a hugging point of view
58:02
uh well that’s it for our lovely tour uh thank you so much justine it truly
58:07
was amazing such a fun time it was uh a blast for us as well uh i’m just going to let people know that we
58:13
have a little survey that you can fill out our gallery attendant is going to come around with a piece of paper and a
58:19
pencil um and this is truly fabulous and thank you so so much for being oh you’re welcome i’m
58:25
really pleased to be asked now it’s a privilege to be asked i really appreciate it
58:30
for the opportunity to be asked i love plants and i love uh nature and i love i love
58:38
that feeling that people feel when they just are immersed in their natural world and they have appreciation for it and uh and that they
58:46
feel positive about planting things planting things and growing things and coming
58:51
together and having a beautiful place to live so thanks for having me and before i
58:57
before we clap for justine i also want to shout out helen and we also have sarah who worked
59:03
on this exhibition thank you so let’s all clap for everyone thank you so much and thank you so much for attending
59:10
everyone okay and that concludes our tour so take a take a gander around and we
59:17
also have surveys that you can fill out and please give feedback because someone will give me
59:23
feedback so if you if you think something was not the greatest just let them know
59:29
so i can make it better i would like to do that just because
59:34
and
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