Entanglements presents artworks, at the Karsh-Masson Gallery at City Hall, from Cheryl L’Hirondelle, Meryl McMaster, Sasha Phipps and The Macronauts. Together they explore stories of ecological change and entangled perspectives – of vulnerable and troubled spaces, people, and species, bound in a series of evolving relationships. See Below for details on programming and online content.
Exhibition Opening
Thursday November 17th, 2022
5:30-7:30PM
5:30PM Artist led tour of the exhibition
6:30PM Opening Reception
Karsh-Masson Gallery, City Hall, 110 Laurier Ave West
Entanglements is taking place at the Karsh-Masson Gallery. Please see the city of Ottawa website for details on opening hours.
Check out Cheryl L’Hirdondelle’s artist talk here. She discusses the creation and context of her work while visiting the Artengine Studio for another edition of our Ideas series.
Part Two of the talk is a conversation with Artengine Artistic Director, Ryan Stec. Watch it here.
This exhibition is about how we are entangled with a variety of ecological communities. It considers the often-messy relationship between humans, objects, and beings of all kinds.
Cheryl L’Hirondelle works through her Cree worldview to reflect upon the fate of eels in the Ottawa River and the possibilities of the will and desire of other beings and how we communicate across species. Sasha Phipps’ sculptural installation comprise of home-made fruit gummies packaged in plastic and modelled using shells and fish from the prehistoric Champlain Sea – which once covered the Ottawa Valley. Phipps comments on the consumption of nature, as well as drawing our attention to extinction narratives – past and present. Meryl McMaster’s performative photographs draw from her nêhiyaw (Plains Cree), British and Dutch ancestry, to witness the impact of insect decline in the forests of Manitoulin Island and among the coastal ice flows of Lake Erie. Here she performs with the insects to spark a rethinking and restructuring of human and more-than-human relations. While Hublots, an installation by the art-science ‘Macronauts Collective’, invites us to consider plankton – molecular, aquatic life and its relationship with micro plastic, and reminds us that the ocean is co-constituted by more-than-human elements that dwell in its depths that we are ordinarily unable to ‘see’.
These artistic voices reflect upon a deeper scale of time at work in our environment while simultaneously drawing our attention to the uncertainty of our present and the precarity of the future. These stories of relations between beings of all kinds suggest that we need a new understanding of community to help imagine a space beyond resilience and into a thriving future.
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Entanglements is co-curated by Celina Jeffrey and Ryan Stec. It is part of a larger research collaboration between Jeffery and Artengine. In this time of climate crisis, we are exploring the roles that artists and the cultural community have in responding to these global challenges.
Celina Jeffrey is an Associate Professor of Art History at the University of Ottawa, Canada. Her research primarily involves curating exhibitions that consider the visual cultures of climate change and oceanic degradation, the most recent of which was the SSHRC funded Ephemeral Coast www.ephemeralcoast.com (2015-2020). Ephemeral Coast – Visualizing Coastal Climate Change, an edited anthology which parallels her curatorial project was published by Vernon Press in 2022.
Ryan Stec is an artist/designer/producer working with texts, organizations and things, and is currently the Artistic Director of Artengine and Part-Time Professor in the Visual Arts Department at University of Ottawa.
Below is another version of our curatorial text embedded into the exhibition to encourage questions during the viewing experience. Translated from English into French and Anishinaabemowin and read by Ryan Stec, Véronique Couillard and Lena Recollet.
We acknowledge that the exhibition is situated on the unceded Territory of the Anishinaabe Algonquin Nation whose presence here reaches back to time immemorial.
Please join us during the opening for an artist led tour of the exhibition. Get their perspective on their work and gain insight into their production and imagination. Join us at Karsh-Masson in City Hall on Nov 17th at 5:30PM!
This exhibition was postponed twice due to the pandemic. We are extremely grateful to the staff of Karsh Masson who have been incredibly supportive during these difficult times.
We are grateful to the Department of Visual Arts, University of Ottawa, where Celina Jeffery, Ryan Stec, and Sasha Phipps all work.
Celina Jeffery would like to acknowledge the Social Sciences and Humanities Council of Canada (SSHRC) for funding aspects of this exhibition. In turn, she is grateful for the funding that allowed her to hire the following students Anna Paluch, Zeina Hamod, and Madeleine Merritt, all of whom supported various aspects of the exhibition over the course of its three years of planning.
Meryl McMaster gratefully acknowledges the support of the Canada Council, as well as galleries Stephen Bulger Gallery and Pierre-François Ouellette art contemporain, who have provided image permission.
Cheryl L’Hirondelle would like to thank The Canada Council for the Arts for their Creating, Knowing, Sharing grant.
Macronaut Collective would like to thank Christian Sardet, Guillaume Cavalier and our collaborators: Sharif, Mathilde, Valentin, Clotilde and Clément. Gilles et Adèle Captains of the Woy Woy, Pépé Ardens, & Studio Studio friends, as well as partners Ecomaris, Oceanographic Observatory of Villefranche-sur-Mer, Tara Ocean Foundation.
All images courtesy of the artists.