Negotiating Digital Space in Culturally Significant Storytelling

29/06/2022

Artengine is delighted to be supporting the newly formed organization Mindful Habitats with their online presentation series Negotiating Digital Space in Cultural Significant Storytelling. These series explores the relationship between narrative and our experience of the environment around us.

Check out the upcoming talks below and register on their site to join.

 

The Omnipresence of Screens: Ideal Projections:

Brian Greenspan in conversation with Louise Pelletier: June 29, 2022 10 AM to 12 PM

In the webinar, The Omnipresence of Screens: Ideal Projections, Louise Pelletier examines how different points of view negotiate the role of the image in a digital era, while Brian Greenspan explores the concept of narrative transportation through screens and the visualization of ideal spaces.

Absences and Pluralities of Stories

Zoe Todd and Marc Neveu: July 7, 1 pm – 3 pm EST

In the session Absence and Pluralities of Stories, Zoe Todd discusses institutions and strategies of absenting stories, while Marc Neveu proposes a plurality in the reading of stories embedded in archival drawings.

Translate and Transform

Caroline Dayer and Liam Doherty: July 14, 9 am – 11 am EST

In the session Translate and Transform, Carolina Dayer and Liam Doherty discuss how translation transforms stories, their audience, places, and lives.

Narratives of Familiarity: Empathy in Storytelling

Sojung Bahng and Stephen Foster: July 21, 9 am – 11 am EST

Sojung Bahng and Stephen Foster will discuss the dangers of empathy and other ethical issues as they introduce their work in immersive and interactive documentary storytelling.

Immersive Storytelling: Negotiating Identity

Dylan Paré and Maize Longboat: July 28, 1 pm – 3 pm EST

Dylan Paré and Maize Longboat ask what it means to create a video game or experience that reflects their identities. As they each navigate what it means to create a queer or Indigenous game, respectively, they explore how game design can create a conversation between creator and user.

Annika Walsh shooting Chinese Croquembouche for upcoming Food Conference.

30/05/2023

In the studio this week with Annika Walsh. In her words, “Chinese Croquembouche is a savoury twist on a classic French dessert presented as a durational interactive sculpture. A traditional croquembouche consists of choux pastry puffs piled into a cone and bound together with threads of caramel. Chinese Croquembouche has a savoury filling and is bonded with a sticky, salty maple syrup caramel. Visually, the tower resembles the traditional sweet dessert, it is only upon further inspection with the smell and taste senses, that you are faced with flavours you were not expecting. This edible sculptural piece allows viewers to become participants and contributors as each choux pastry puffs gets removed from the tower for consumption. Chinese Croquembouche demonstrates my approach to food and my experiences as a Chinese Adoptee. My authenticity is continuously challenged, and I am not always what people expect me to look, sound or act like.”

 

Chinese Croquembouche will be presented at the 2023 Canadian Association of Food Studies conference themed Reckonings, Reimaginings and Reconciliations Within and Through Food Systems.
https://foodstudies.info/news-conferences/upcoming-conference/

Resident Sarah Conn presenting Remix in Victoria

05/05/2023

Sarah Conn’s experience Remixed premiered in Western Canada from May 5th-6th at SKAM studios Victoria.

The creator of the Project Trophy, which explored life’s turning points, introduced Remixed: a 45 minute personalized polyphonic playlist of true stories and prompts on transformation set in a colour changing garden inspired space.The playlist includes personal accounts of change, ordered algorithmically based on user responses in the Remixed web app to questions such as “Do you believe that change comes from inside or outside of us?” Conn combines true accounts of transformative life events with a multisensory garden space to intimately examine the movement of change through life, presence, and collective reassembling to find potential in the self.

For more on Remixed visit the Intrepid Theatre website.

 

Sarah Conn is a theater director based in Ottawa who has been developing the Remix project with a dynamic team in residence at Artengine throughout the start of 2023.

Walk on the Wild Side: Interspecies Collaboration in Art

20/03/2023

SciArt Conference Poster

We are delighted to be a partner in the SciArt Symposium organized by SAW. Through a series of wonderful conversations with SAW we have helped assemble the panel:

Walk on the Wild Side: Interspecies Collaboration in Art

 

Moderator by our Managing Director, Remco Volmer and including:

Aleksandra Bajde, a Slovenian composer-performer, cultural manager, and Phd candidate in political science, creates semi-improvisational multidisciplinary and multigenre performance art exploring expressive possibility and multidisciplinary interaction.

https://aleksandrabajde.com/

 

Cheryl L’Hirondelle is an interdisciplinary artist, singer/songwriter, Governor General Award recipient, and CEO of Miyoh Music Inc. L’Hirondelle approaches audio, video, and multi-sensory experience from a contemporary Cree worldview encouraging dynamism, inclusion, and the presence of nehiyawewin and other Indigenous languages.

http://www.cheryllhirondelle.com/bio.html

 

Tina Tarpgaard is a dancer, choreographer, and founder of the cross aesthetic dance company Recoil Performance Group, and 2 time winner of the National Danish Performing art Award. Tarpgaard examines object functionality and  the links between performers and space,often integrating both human and nonhuman software and bio-art performers.

 

https://recoil-performance.org/about/

 

Dr Jenniffer Willet is the director of the Bioart lab INCUBATOR and Canada Research Chair in Art, Science and Ecology at the University of Windsor, and founder of BioARTCAMP. Willet examines interspecies interaction, biotech, the body, and representation, to challenge the divisions between art, biological science, and technology.

https://gallery.iotainstitute.com/collections/jennifer-willet

 

For more information on the symposium check it out at SAW’s website here.

You can watch more on Cheryl L’Hirondelle’s work on interspecies communication in the Ideas section here on our website.

Art and Science Fiction Residency

12/02/2023

Join Artengine for a residency exploring the potential of science fiction as an artistic framework for imagining alternative futures.

 

This paid residency supports one artist / curator / cultural producer between 15 and 30 years of age to develop artistic research and/or a project that engages science fiction as a form of practice and politics. The residency is supported by the Digital Skills for Youth program, administered by IMAA and funded by the Government of Canada.

 

Application Details

 

Application deadline: February 12th, 11.59 PM EST

Residency dates : February 15th to March 31st

Complete applications to be sent to programming@artengine.ca

 

The residency takes the idea of science fiction as a form of practice, a set of sensibilities, and a methodology, increasingly adopted by artists as a theoretical and aesthetic framework for imagining emancipatory, decolonial concepts of futurity.

 

Potential approaches would include a critical perspective or experimental use of (digital) technology and may include: design fiction, immersive audio, game worlds, bio art, digital fashion, AI interventions, and any other critical and experimental approach to digital technologies.

 

During the residency, you will have access to Artengine’s production facilities and equipment, as well as internal and external mentorship.

 

We acknowledge the financial support of the Government of Canada.