Which terms do you we use to describe what is done now? Some reach back to claim connection to European traditions of craft while others search for new broadly inclusive language. What is important in staking a claim on terms and definitions? How do we facilitate constructive and inclusive conversations about making?
Read more from Steven Loft and others in the book he edited with Kerry Swanson
Tom Bessai’s work can partially be found at:
Here is the late Valérie Lamontagne’s PhD Dissertation.
This discussion was part of Unhanded: Making Under the Influence of Digitalism
September 17th, 2016
The Unhanded Symposium brought together a range of perspectives from different disciplines to discuss, debate and interrogate what it means to make objects in the 21st century. Through a series of four panel discussions we explored ideas around language, materials, mistakes, challenges and opportunities when working at the intersection of digital and physical technologies.
From NFTs to governance structures, blockchain technology may be a glimpse into the future. At least that is what Jesse McKee and the team at 221A are exploring. In this conversation McKee shares a bit about the history of artist-run centres in Canada, the limitless potential for blockchain to change how society is ordered, and the rise of decentralized autonomous organizations (DAOs). Listen closely to discover the literary Easter eggs Jesse drops that are framing research at 221A.
In this conversation Tim Maughan chats with us about digital infrastructure, the role of organized labour in the creative landscape, and the DEL project Artwork_Local404. Join us, as we discuss technology and capitalism, the benefits of organizing, and what form collective action might take. Maughan also talks about how we need to rethink many of the platforms of tools of the digital world as public infrastructure: this may change how we understand what the government could do with them.