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welcome to work in progress an exploratory Gallery podcast hosted by the art gallery of Greater Victoria

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where you will hear from artists curators Gallery staff collaborators and even different hosts as you listen to

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each episode this podcast was produced on the traditional lands of the LA quangan speaking people also known as

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the song he’s an Esquimalt nations in this episode we will hear from Jerry ambers Marianne Nicholson and siku alulu

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the co-curators of the exhibition woven in indigenous women’s activism and media

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joining the co-curators is Tanya Willard one of the contributing artists Carmen

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Guerrero a key activist connected to the show and Toby Lawrence one of the

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curators from open space artists run Center who supported the sister exhibition called tidelines Coastal

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resistance of the 60s and 70s this conversation recorded during the opening

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ceremony and celebration for the exhibition offers a window into the Grassroots activism and Resurgence at

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the heart of this project we hope you will take some time to settle into the dialogue and learn from the generational

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Continuum of activism that is so generously shared by some of the key contributors to this show

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hello everybody and uh it’s really good to see such a good turnout today I’d

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like to introduce myself my home territory from the numb face in alert

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Bay on an offender Vancouver Island and my home my name is

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and uh I just uh

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thanks Jerry um my English name I guess is Marianne

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Nicholson um my name is

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from

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uh anyways I’ll leave it at that for now

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hi my name is siku alalu I’m a Enoch and Haitian tainino from delende Northwest

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Territories I am the daughter of Mary Lynn The Rock and and Titus allalu and

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I’m very grateful to be here this evening I’m actually here

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uh Karma Paulette and she’s the first grandmother a first granddaughter of my

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mom so hearing her memory and I gathered together in her spirit

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we have a couple of her dear friends from different times in her life

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um I’m with her beloved chosen sister Carmen Guerrero who’s traveled all the

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way from Arizona to be with us tonight and we’ll get into the work that they did

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together in a few moments but I just wanted to welcome you and thank you for

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being here with us thank you ziko and thank you everybody for the invitation

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I’m sorry I’m proud because it’s so beautiful I never thought I’d live this dream of being

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with other women who are pioneers you know activists and we are not

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forgotten we are here and we have to pass on to the next Generation so thank you wow yeah it’s incredible to be here

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and see so many folks out um

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territories and settler background and one of the artists in the exhibition and just really powerful to be here with all

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of you hello I’m Toby Lawrence I

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am sure how to follow all of you I um I’m a settler Canadian curator born

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in Scotland’s territory and I have lived

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most of my adult life in the guangin land I’m really looking forward to hearing

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all the conversation that happens

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maybe it would be good to just give a little bit of background of

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what brought us here together um in the context of the work those two

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exhibitions that have led um the through line that ended culminating

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and bringing us together there’s an exhibition co-curated by Jerry and Toby at open

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space it’s a sister exhibition to woven

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in and there was a precursor that was curated by Marianne

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um and they each focus on a different uh demographic of young or the leaders of

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Grassroots leaders in our communities and I’ll let them speak a bit about those so

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that you have an understanding of this intergenerational continuity and

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coming together ah I really want to thank Jerry uh in in particular in this

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process um you know for many many years we’ve been really providing and advocating for

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our rights as indigenous people and you know

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there was it was a number of years ago that I started talking with Jerry and

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realized she had this incredible depth of experience in this she had lived through it in her entire

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life and and I was in awe of it because I thought how come we don’t know how come

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we don’t know about these women who have spent their lives fighting for the rights of indigenous people

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and I was honored to learn from her you know what had gone on before and one of

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the things I realized in talking to Jerry that there has been a systemic shutdown of that knowledge in the communities and

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in general Society the power of indigenous women and I think that that’s happened because

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it is such a threat to the Colonial systems the power of indigenous women

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and so I’m so grateful because when I talked to jerion if you hear her

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story of her life and the things that she would participate in them and did it

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inspired me I felt so inspired I thought we’re not alone we’re not working alone

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we are on a trajectory and there are women ahead of us who have done this

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before us who can teach us how to continue this and then it becomes our responsibility to hand that on to the

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younger ones and I really wanted to put together with these incredible women who are

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sitting with me an exhibition that acknowledged that that acknowledge the

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strength of our indigenous women and and I’m so grateful for this

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exhibition and I have been in many many many exhibitions throughout my life but for myself this is one of the

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best and proudest exhibits that I have participated in

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so I wanted to say that and I really also want to acknowledge

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Carmen because Carmen worked with siku’s mother and for many many years she too

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carried this torch for us as an indigenous woman across North America so

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it’s not just here and locally that we’ve been fighting this fight this is across North America and and I just

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wanted to express my gratitude and I I really think that the exhibit itself is an expression of appreciation and

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gratitude for the work that has been done and then as the younger ones

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contextually I wanted to thank siku and Tanya because

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Danny and I met when we were in uh going to UVic and I was doing I think I was

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finishing my Master’s and you were doing a bachelor’s and Tanya has done incredible work amongst her own nation

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and she’s gone home which is really inspiring to me to go home too because

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we also need to go home and be a part of our communities and live in our lands

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so I just wanted to and you’ve done wonderful wonderful advocacy work for your people

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and I really appreciate the strength of that and see through your journey too has

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been really really inspiring and our friendship goes way back and your story is very powerful and you’ve done powerful things

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so and and I wanted to thank Toby and I wanted to thank Nicole Nicole was the

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curator that we worked with to put together holding ground which was the original exhibit here of young younger

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activists indigenous activists um and now we followed that up with this

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exhibition you really helped us walk that road uh from the standpoint of the

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institution and you were really willing to take on a lot of uncomfortable places because when we’re asking for change

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it’s not comfortable so I really appreciate your friendship and I appreciate everything you’ve done

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for us and I also wanted to acknowledge you Toby because what we’re doing is groundbreaking in

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terms of the two institutions the art gallery of Victoria and open space collaborating to put exhibits together

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that are complementary and so you know the the concepts of community and unity

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um are except are expressing themselves institutionally when these two

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institutions can can collaborate to provide voice for indigenous peoples so that’s all I wanted to say for now I’m

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really excited about this time these times are really

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exciting times they’re really tough times but they’re also very exciting and

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I never thought I would see the day when uh galleries

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would take that step to work with indigenous people

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in a way that is respectful in our way that allows us to do what we do in the

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way that we do it and I truly wanted to amend [Music] um the Victoria art gallery for that

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um if you’ve really listened and you never made any decisions without

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coming through us and it was like a partnership and I truly felt that it was

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a partnership and I just really want to commend this gallery for that and I’d also like to

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acknowledge um Doug Jarvis who is our director at the open space

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gallery and Toby for their willingness also

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to support our stories

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as indigenous stories and what I want to say about the media exhibit here in

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Wolverine and also at the open space gallery that all of that

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is Grassroots history written by Grassroots for Grassroots

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they’re not in any academic books they’re not um mostly curriculum that you would

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find out in schools this is written by the people for the people

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and all of those articles are the documentation of the struggles

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and the fight that day-to-day people did in their communities day in and day

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out using but very little resource that they had to make

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change and believe me we’ve had to fight every step of the way

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for better Medical Services which we’re losing at this point education

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um we’ve gone from apartheid and my mother not being able to go to school

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Beyond a certain point not us not being able to go into business

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um there are so many restrictions that we never stopped

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fighting for Change and this is a timeline of history that hopefully our

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younger Generations will be able to take a look at and realize that our people

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never stopped we never stopped fighting we never stop you know working for the

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better of our children and we’ve had to make a lot of sacrifices in that process

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but it’s a long haul

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and that’s what gives me inspiration are these

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artists that are coming and are here and are standing beside of the people it’s

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really makes me feel very inspired

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um and it’s been just a pleasure to work with Miriam

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and you know I’ve got to know you Carmen and um Tanya

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we have some amazing people in our communities and all of you who showed up

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I just I really really appreciate that you hear as part of us and to listen

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and hopefully that we can change the face of the reality that we’re all in at this

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point in the ways we can so that’s it for me

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um tidelines is a collective effort

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and so all the information on the walls all of the newsletters all the

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photographs were all put together by some of the

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Elder activists in the community we had a gathering in the summer and people brought their

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pictures and brought the dates of when they uh you know did a blockade and in

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Gold River and you know corrected some of the you know so it’s all there it’s

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it’s the exhibit of the Elder artists of the 60s and 70s and it’s a coastal history

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because a lot of the coastal history resistance hasn’t been documented in this hopefully the starting of

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something that people will be learning about in for long years to come

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it’s a lifelong dream it’s such a honor to have been invited

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to be part of this by Marianne and Jerry um some of the people that are my biggest

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Inspirations in my life are here and um

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I mentioned that we’re here in my niece and I and Carmen are here in the spirit

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of my late mother who passed before she had a chance to

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share this immense history and

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um all through our friendship I’ve Marianne and I have shared about

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the people that raised us and the people that grounded us and connected us to what’s

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important and what we need to remember and what we need to be connected to in

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order to really hold our place as women and as members of our

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communities and for me my mom was my biggest inspiration and uh

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so is Carmen answers

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so is my knees um

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in all of our conversations we have to [Music]

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we always come back to the touchstones of uh Sisterhood and

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solidarity I need your connection [Music] um

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When I Look To The Archives or your typical archives I see a lot of

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strength and a lot of good messages there but what I don’t see is the voices of my

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mother and her contemporaries I don’t see so much the voices of our women

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and I’m so fortunate to have women in my life and

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to have that grounding of foundation of intergenerational stories of strength

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and love and connection and resilience and those stories when

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we hear those stories I hear about the struggles but more than that I hear about the resistance I hear about the

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strength and the substance that kept each other going the love the care

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and um the beauty it’s it’s so incredibly beautiful to hear the stories that Jerry

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had to share to learn about the organizing that you did in the in the

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60s and that you’re still doing today that work that you’re still doing to bring people together and to honor your

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legacy and to really make us stand to ensure that that’s not forgotten that

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that does not get erased and we’re here for for all of that we’re

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here we wanted to bring the generations that came before us we really wanted to honor that work that

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never got to be held up in the decades before us and we’re in this new time and

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it’s so important and we’re so honored to be able to be here to to hold this

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together with you and to hold it for the young people that are always in our

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hearts and always in our minds that’s always you know it gives great importance and

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weight to the reason why we’re standing here today you know we are inspired by

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the ones that came before us but we also need to be here for you and we need to

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be a bridge to share this with you and that’s the whole point um these three exhibitions

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um they they are looking at youth activists in the 60s and they’re looking

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at youth activists in 2019 that occupied the BC legislature

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and had the whole country looking at the voices of young people not able to turn

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away from the power of that voice and we have young people here that were those

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brave people and um we just wanted to

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we wanted to Showcase that because so much of so much of what we have to battle

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against is the way that we are represented in the media and misrepresented in the media and not only

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that when I look to the um the collection of works that’s in

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the show where it moves me the most is that it’s us talking to each other and how we talk

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to each other how we talk about ourselves how we witness each other’s

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stories and represent those stories with such love and um such wholeness and it’s

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nourishing because of that never underestimate the power of educated indigenous women

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here we are

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thank you so much for having me but thank you so much for showing us that our activism has to be documented

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nobody’s going to do it for us so thank you for your courage to do it thank you for your support for all these

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Galleries and artists we are the Forefront of change and have been for

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many many centuries so I love that we are using the power of the art to change

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the world right now you know by giving voices to all these women and all the

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wisdom that collectively we possess and also the sharing that we have to do

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because you know it Continuum means

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fight keeps going you know it’s not going to get better or easier for our girls or for our women if we don’t take

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leadership now we’re really not a Time and I can’t believe that 40 years has

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gone by since I moved to the mall you know and then you were doing documentation

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over here can you believe it and you were clapping the walls of taking the world

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but I just want to tell you that’s been wonderful I feel very powerful here with all of you

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having these goals and aspirations and love for the Arts and also seeing how we

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can change the document in our work is going to continue so thank you goodness such amazing hearts and power shared

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it’s really a pleasure to be here with all of you and with everyone here and and uh to also be in this context of

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this building and the kind of architecture of it that might not have expected us to be here today

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so I like being here and having these conversations and talking

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about within this kind of space and and frankly in Victoria in terms of what it

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stands for as well so I have some work in the exhibition and uh it’s it’s quite

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a bit older work so I think one of the things I’m interested in doing is drawing out some of the connections so I

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went earlier to open space and saw the tidelines exhibition and I’m born in 76

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and the kind of um Native American Red Power movement um Native youth movement and that kind

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of Rise of indigenous power was really influential for me as a kid as well on

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this columnist Reserve at the time Robert Manuel was Chief that’s Arthur Manuel’s older son and they’re both the

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sons of George Manuel and uh they you know um George Manuel’s work is is somewhat

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known he was so important in drawing out International indigenous issues but I also know from stories in my community

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that there was so many women behind them including I’ll mention my Aunt Joyce

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Willard who’s part of occupations at Department of Indian Affairs and the um child you know the childhood Caravan uh

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and so and those histories are absolutely uh marginalized histories and so a project like this that starts to

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Archive those and share those I mean just look in this room it has real power and effect when when those are shared

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and the other indigenous women come in can come in and do and do scholarship and understand those histories and how

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they connect uh and so that was formative for me um my aunts had us she

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has a little audio tape of me and my brother and sister were singing um BC is all Indian Land you know that

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was the anthem for a while um style uh and so that context is so

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important and then when I was at tidelines the elders Gathering you had in the picture is Michelle Pierre and um

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Billy and Nina Pierre started red wire magazine which I was a part of for many years and was also really fundamental

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it’s a native youth publication that operated in Vancouver and cos Salish um and musque and slavicious territories

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and I was part of it for years and also I’ll have to acknowledge Marika is here who um who also did great work with red

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wire and we did a lot of work around you know trying to be that voice trying to give

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presents to indigenous use activism and it in fact is absolutely connected to

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this line of of women and that publication history and bringing together those voices because Michelle’s

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um daughters founded that and and then I was part of it and Maria’s part of it and uh and it has brought so much I mean

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uh we were looking through some old issues that I have at home a while ago

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and we were realizing that one of the last issues we all talked about that we were going to move home

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and then and in fact that’s where many of us are because we saw the importance of of going of understanding uh the

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histories of what displaced us even if it’s going to a city for work and the power that’s in our lands despite the um

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you know the confines of the Indian reserve that the power of our languages and cultures

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um were so critical to us being there so and I see so many other matriarchs and

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people involved in the Arts in this room and so and had some earlier conversations and so I just want to

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recognize that and acknowledge uh all that experience and all that struggle

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about all the love right I mean that’s what I just really feel here today too

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is um you know I’ve been to the long political meetings as well the kids are running around and you’re

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trying to get people settled and you’re listening to the important political talk um and that work is important uh but I

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also feel here that there’s um such a power that’s grounded in love and uh the

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connection with family uh and relationality and family in all kinds of ways and you know to acknowledge all the

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different ways that our families operate all the different gender and sexuality that we can Encompass to make beautiful

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loving communities and families and I really feel that power in that here so

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yeah so and and the work I shared is a comic series that I used to do many years ago because we were we were making

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media we saw that urgency to have political voice um you know this is when uh BC trick or

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treat um you know as is happening and people are really talking about like what does treaty mean when we’re here in

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unseated territory uh and so um that that work was also we were

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funded to do a magazine for getting jobs as well so the government wanted to find

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us to do and uh so I decided to do some indigenous labor history because I was always interested in more revolutionary

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politics than than writing a resume so I started to publish that um in that

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magazine and did it for many years and published it oddly in my early 20s in like East Coast labor magazines as well

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but red wire was a team and it was based in the work that women before us did and

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based in the work that our ancestors did before that that bring us all and connect us all here today and so

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acknowledge all of you who have contributed to that and uh who are bringing that power here and and also um

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bringing it to our next Generation so Cookstown uh firstly I want to say

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the family changed our Institution and as a settler cleaning curator who is

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endlessly searching for models and ways to change the organization for folks

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um for whom these structures do not fit um these are the books that I look to and

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um um I want to Express gratitude I think idea safely say on

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behalf of open space and our whole team

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our gratitude for Jerry’s work with us Jerry is um in an unprecedented role in

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Canada in arts institutions as an elder in Residence particularly for an artist run Center which open space is and Gary

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has supported us as a team or a tiny team there’s been a long history of

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Engagement with indigenous artists and art um and communities for open space but

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particularly in the last few years we have faced some unimaginable traumas and

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as an organization and Jerry has supported us through all of

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that and tidelines really is a project that as a team we wanted to support

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Jerry and we wanted to make sure that she had access to funds and our resources and

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our time to do exactly what she needed to do without us

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and I hope that we’ve actually done that for you so

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tidelines has been a really important demonstration of what can happen when

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communities come together and when um someone takes the time and effort to

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really um to work with the community to reflect what

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a community would want and I want to say that Jerry reminds us as we talk through our conversations about how to install

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this living ongoing ever developing ever um inspiring exhibition that we are

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always doing and for the elders and we’re always doing it for the folks um

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that were associated with the native Alliance from Red Power and that are still living and and some of those who

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are no longer with us in this world so um yeah all that to say these women are

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changing aren’t the space and time

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or respect what was it you felt was most important to flip on its head in working with

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these institutions well I’ve had Decades of practice so I really can’t help

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myself and so it was just part of the work I

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needed to do whether it was open space or any other space that I

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so I just would have to say that that’s really how it was

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I think that for myself there was a frustration with this trajectory of the

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individual male genius

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and then from life experience real strength comes from community

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collectivity being together working together all of

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the incredible stuff that we do in our home communities it’s it’s really the

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strength of women who carry our culture and I was frustrated with the institutional you know it’s kind of the

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colonial imposition of the raising up of this individual male which

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if you have a son as an indigenous person you don’t want your son to go

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that way you want your son to recognize the strength of the woman around him and to carry that throughout his life

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because that will keep him strong and safe this myth of the individual is

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destroying our indigenous communities yes and I really wanted to advocate for

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a space that would uphold women’s voices women’s Collective voices and that’s why

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for me this is one of the most important shows I have ever participated in so and I just feels so happy in my heart

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because of this and I think of the young woman and the young men coming behind us who if they can learn these lessons and

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hold that strength in their hearts we’ll be able to do so much more than if they believe that lie

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that it’s only individuals and men who have power to speak

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so I’m yeah I’m so excited to hear these voices and and to have this happen

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for me the very first uh thing that compelled

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me is just the opportunity to get to work with Marianne and Jerry and to join uh

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to join in the Legacy um of my mother and the work of the

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generation before me and to join those voices that those stories that I

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was raised with of my mom and her beautiful friendship with Carmen and the

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love that and the humor and the just the beauty of their relationship that kept

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them buoyant amidst um very Stark University

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within the world but also within the indigenous political world at the time

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having to deal with gender violence and and sexism and patriarchy and that we

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still have to deal with so much but to hear about the ways that they stayed

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true to themselves and encourage each other to see true to each to themselves

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um that gave me so much strength and so much courage because

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[Music] you know those are the those are the things that nourish young people growing

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up those messages that it is important to be true to yourself

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and to stay true to those values and keep your feet close to the ground keep

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your connection close to your spirit and to always be reminded of those life

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forces in in our homelands that nourish us that ground us that keep us strong and

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healthy and able to take our place in the world and um

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one of the things that always stuck out to me in our conversations we were planning this is

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Marianne said at one point you know we’re not here to elevate our Grassroots

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activism to the status of the gallery we’re here to bring the gallery to the

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Grassroots

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wow those women get more powerful every time

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because the time the feminine energy is here obviously you know we’re ready to go with the Arts

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and start a movement of activism that has to go beyond us another 100 years

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you know our kids and grandkids are going to keep this Legacy I wanted to tell you that my family in

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Arizona my husband also comes from a he’s an artist that comes from a family Legacy of artists and I also feel that

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we have to model positivity like how do you make it work how do you make it your

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Arts be your your life your life you know all of us is always had to do that we had to recreate ourselves

37:14

and we have to use our imagination and creativity and we had to do all those soul-searchy moments so I feel like we

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are at a really special time right now amongst all of you and with all this wonderful audience over here I just

37:30

think that we’re starting something really special and it’s like the recognition of women power like we you know have been

37:36

documented documentation of our activism that cannot stop

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so this is just a Continuum maybe I’ll just uh I’ll speak in the context maybe of um the work in the exhibition because

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I mentioned like it was in response to funding that was allowing us to you know

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that we needed to be able to have our views heard as indigenous use the urban indigenous youth primarily

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um in Eastbound and uh and you know I knew that model was um limited by what

38:08

they were wanting us to do in terms of like how to write resumes and how to you know get jobs and that’s important

38:14

obviously but uh but that work was coming from a space of thinking about well when people are when people widely

38:22

are struggling for justice um in in the case of the labor movement I was looking at and then we’re often at

38:29

the time indigenous people were often not seen as contributing to that like labor movement and workers rights and so

38:36

when I was learning about some of the early industrial workers of the world unions on the um on the water in

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Vancouver that became really important to think about oh yeah of course when

38:50

we’re struggling for our own indigenous rights and the land we are contributing to other social justice struggles all

38:57

around us and so I mean I was just I’m just always interested in yeah yeah we have to flip those models because

39:04

um one they’re not serving us um and they’re actually like uh

39:10

destroying us right so so you can’t do anything like agree you know can’t do anything but if you’re doing the work

39:16

you’re you’re in there and you um you you you just keep on doing what you do until you wear everything down I

39:23

guess which I’m sure you know of Leon Leland in terms of your work right so and

39:30

luckily I think the point here though is like that um you can start to recognize how uh the

39:37

the ways in which uh people communities women and stood up before us has has

39:44

contributed to the work that we are able to do today so that work becomes a little bit

39:50

um easier or there’s a bit more support or you know so I’m confident that we are

39:55

passing on a lot to all of our you know children all of our grandchildren all of

40:01

our great-grandchildren um that was you know love the bits and pieces that we’re carrying with us are

40:09

starting to take shape and will affect many after us and

40:15

um you know including in in lots in lots of different ways in families and communities and through institutions

40:20

through friendships through scholarship through all of the ways that everyone in this room is contributing to I just

40:27

wanted to say that this is about peace Justice it hasn’t changed and the only

40:32

thing is love and the power of our wisdom as women and together Community you know I

40:39

feel very together with all of you today here your histories are amazing and there’s so much to be done and we have

40:47

to document ourselves because nobody else will and you know I think also this idea of having a gallery shows here

40:54

should be taken to other cities and other places you know let’s make this an international issue because I come from

41:01

South America so my people in Brazil when I was um in Berkeley with Maria Lane doing the

41:09

newspaper dihena the first bilingual one ever um they were dropping nine pounds on the

41:16

people of the Amazon you know they were destroying the forests that was 48 some

41:22

years ago and we were talking about how they’re going to destroy the planet in the Amazon are the lands of the world

41:27

they produce more oxygen than any other place we need that to live and we look

41:33

now I look now about 45 years later and we are destroying it we couldn’t stop it

41:38

it didn’t matter how much I studied how much we documented how much we activated just like that though they didn’t care

41:44

about you know people protesting they still put the pipeline on it They Don’t

41:49

Care About Us so we have to rise up and we have to unite and talk about you know

41:55

sustainability it is about our love for Mother Earth it’s not just your mom it’s all about mom he’s all the matriarchs we

42:02

stand in the shoulders of giant matriarchs you know most native communities have matriarchal our

42:09

matriarchal you know and then also when they you know they had progress when we

42:14

both had they could talk to be you know have the same power of the world word as

42:20

a man you know and some communities have that and they prosper and they have more

42:26

Harmony and balance so that’s what I think I hope for all of us that we pass on this wisdom

42:34

I should mention this um on behalf of my mom the reason that she started the newspaper is because uh

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mainstream media wasn’t documenting the the colonialism and the genocide that

42:47

was being inflicted upon indigenous people in South America but more than that they

42:54

wanted to unite indigenous voices um Across the Western Hemisphere they

43:02

wanted to um not just keep in silos they didn’t

43:08

want to stay within just the American Indian movement or you know these Regional things they said we’re all

43:14

indigenous people Carmen wanted to publish in English and Spanish because she wanted to light up

43:20

the Colonial Highway and be able to have people have dialogue and they did have

43:26

dialogue through these Publications um you’ll see in uh the exhibit you’ll

43:32

see some of Jerry’s collection that has covers in there showing native people

43:39

from all different parts of the world and in the issue that was featured in

43:46

the exhibit from Indiana it’s I hope that you spend some time with with all

43:51

the pieces I truly hope that you spend some time and observe the work but we

43:58

have a feature in there and it’s a editorial written by my mom and Carmen and it’s dedicated to indigenous women

44:04

of the Americas and um it was the messages that are still

44:09

relevant today still need to be heard and their whole impetus was resistance and

44:18

reaffirmation of space I was actively being denied and actively being erased

44:23

and it’s a continual representing reaffirmation of the of the women’s

44:30

leadership and the voice and the voice that United people across vastiographies

44:36

and vast struggles yeah I think my mom might have been upset if I didn’t

44:42

speak a little on behalf of of what drove her to start this paper

44:48

and so with the help of Carmen Indiana became the

44:54

uh they had the most up-to-date and most extensive reporting on indigenous

45:01

political movements in the world and they circulated across North Central and

45:07

South America and Beyond and Europe and um yeah so it’s it’s really incredible

45:14

really rich history that completely interconnects Jerry was doing

45:19

even before that in the decade before that which is so extraordinary and yeah

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just thank you for being here I hope you enjoy

45:35

thank you all for taking the time to listen in on this important conversation and many thanks to Jerry Marianne siku

45:43

Tanya Carmen and Toby for expanding the conversations around this exhibition and

45:48

the importance of indigenous women’s roles in enacting change through generations for those who want to learn

45:55

more about woven in indigenous women’s activism and media visit agv.ca

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