Sarah Thawer talks about the importance of branding, social media and networking. “Music is for the brain and for the booty” – Snarky Puppy. #MonsterArtist
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0:22 – Beyond just being a drummer
1:05 – Always record yourself
1:33 – Snarky Puppy “Music is for the brain and for the booty”
1:58 – Promote yourself
2:44 – Mario Slippers
CREDITS
Audio Engineer:
Vikas Kohli of Fat Labs
Videographers:
Charles Vilagut, Mike Gillis, Jawn Taboika and Filip Plaskota of Creators at Play
Production Coordinator:
Cassandra Popescu
Additional footage used with permission from Sarah Thawer
and a Monstrous THANK YOU to Ontario 150 for making this all possible!!
ABOUT MONSTRARTITY
Born in 2011, MonstrARTity Creative Community is a not-for-profit organization, based in Mississauga and committed to providing entertainment for the young and old alike. Ever expanding our productions, MonstrARTity is the producer of #BollywoodMonster Mashup, which is the largest South Asian festival in Canada, as well as the team behind the award-winning #MonsterRock Orchestra show.
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https://www.youtube.com/channel/UCWh5…Sarah Thawer talks about the importance of branding, social media and networking. “Music is for the brain and for the booty” – Snarky Puppy. #MonsterArtist
Key moments
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Beyond just being a drummer
Beyond just being a drummer
0:22
Beyond just being a drummer
0:22
Always record yourself
Always record yourself
1:05
Always record yourself
1:05
Snarky Puppy “Music is for the brain and for the booty”
Snarky Puppy “Music is for the brain and for the booty”
1:33
Snarky Puppy “Music is for the brain and for the booty”
1:33
Promote yourself
Promote yourself
1:58
Promote yourself
1:58
Mario Slippers
Mario Slippers
2:44
Mario Slippers
2:44
#BollywoodMonster Mashup
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About
Use CTRL+F to find key words if it is a longer transcript.
0:03
[Applause]
0:11
[Music]
0:17
I know so many incredible drummers a lot
0:21
of people can play drums a lot of people
0:22
can sing but what can you do beyond that
0:25
how can you become a brand or an artist
0:29
you know or represent yourself I find
0:33
that’s the biggest challenge a lot of my
0:34
friends who went to music school are
0:36
virtuosic and they’re playing but they
0:37
don’t know how to market themselves so I
0:40
tell everybody YouTube is free people
0:42
Instagram is free you’re not using it
0:45
it’s your own problem you’re in Canada
0:47
you have to go on the journey of putting
0:48
stuff up and be very consistent
0:50
I know people who post one video in
0:52
March and then don’t do it until
0:53
December for me it’s been being very
0:57
consistent it’s been a thing of
1:01
self-discovery I found my style I found
1:04
my sound a musician should always record
1:07
themselves so they know what they sound
1:08
like they know what they look like you
1:10
know what you got to work on so I feel
1:11
like you’re working on your musical your
1:13
musicianship what you’re working on
1:15
getting yourself out there I don’t want
1:17
to be you know like this indian girl who
1:18
tries to play jazz oh this indian girl
1:20
who tries to play gospel music no this
1:24
is a jazz drummer at this gig okay
1:26
today’s Tuesday tomorrow’s Wednesday
1:27
okay now we have a gospel drummer okay
1:28
Thursday no no she’s an afro-cuban
1:30
drummer snarky puppy my favorite band
1:32
has this quote that says music is for
1:34
the brain and for the booty so that is
1:36
something I try to keep my mind on that
1:38
I love technique but I want non
1:40
musicians tone-deaf musicians to enjoy
1:42
what I’m playing so I try to keep a
1:44
balance between social media networking
1:46
and the music aspect because I don’t
1:49
want to be a drummer that relies on an
1:51
artist to give me work I want to have a
1:53
name for myself and be able to stand on
1:55
my two feet without someone hiring me
1:56
it’s super important to promote yourself
1:58
because especially being a musician you
2:00
don’t want to always be at the back and
2:02
not and you feel important it’s like you
2:04
go on a tour and the artist is singing
2:06
sitting in first class and you’re just
2:08
sitting at the back why can’t the
2:09
drummer sit in first class why can’t the
2:11
drummer’s be in the front so that’s kind
2:13
of been my mindset throughout that back
2:15
in my early teens or preteens or
2:17
whatever I wanted to be like a Sheila E
2:19
so I was doing a lot of covers I wanted
2:21
to be on Ellen you know playing congas
2:23
playing drums and flipping my sticks and
2:25
doing stuff like that and being more
2:26
like a like a unattractive an are
2:29
per say not much of a musician now it’s
2:33
like I still want that you know I want
2:35
to be on Ellen one day I still want that
2:37
public admiration but I want the
2:39
musicians to love it as well so for
2:41
example what I did a couple of weeks ago
2:43
is I love funky slippers so I go to
2:45
Pacific Mall in Scarborough which is
2:46
like you can get everything for so cheap
2:48
and I picked up Mario slippers what I
2:50
did is I took this electronic pad I took
2:52
a bunch of Mario’s samples of him saying
2:54
like Mario I cut them up put it on this
2:58
pad put on my slippers played a bunch of
3:00
fancy technique e stuff but in the
3:02
middle made a couple of funny faces hit
3:04
the pad different Mario sounds and I got
3:07
so many views on the video that I put up
3:09
and I got so many feet a lot of feedback
3:11
and what I tend to do is that when I see
3:13
the feedback on my YouTube Instagram or
3:15
Facebook I’m like who’s commenting our
3:17
only musicians commenting are is the
3:20
public commenting who’s gravitating
3:22
towards my stuff so that’s how I kind of
3:24
assess what I’m doing
3:29
[Music]
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