Behind the Scenes: Interview with Sid Drmay (My Back Pages: The Art of Zines and Indie Publishing)

2020

A zine (pronounced /zeen/) is a humble self-published work of original or appropriated texts and images, usually reproduced with a photocopier. With roots in self-published civil war pamphlets and science fiction fan magazines of the 1930s, zines embody a DIY approach to publishing that is scrappy, hands-on, and inherently democratic.

Part exhibition, part workshop and part residency, My Back Pages will provide space for the public to learn about zine culture and try their hand at creating a zine of their own. This space will also house a residency where emerging and veteran “zinesters” will create site-specific work for the Living Room while showcasing their own self-published zines and artwork in the related areas of drawing, printmaking, assemblage and comics. With the help of a series of community partners, this space will house programming that will position zines and indie publishing within the context of today’s social, cultural, and political landscape.

MY BACK PAGES RESIDENCY SCHEDULE:
June – July The Centre[3] Zine Club (Hamilton)
August – September Billy Mavreas (Montreal)
October – November Fiona Smyth (Toronto)

Follow along on social using #AGHZinesA zine (pronounced /zeen/) is a humble self-published work of original or appropriated texts and images, usually reproduced with a photocopier. With roots in self-published civil war pamphlets and science fiction fan magazines of the 1930s, zines embody a DIY approach to publishing that is scrappy, hands-on, and inherently democratic. …

Autogenerated Transcript from YouTube (if available)

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so I’m Sid DeMay i’m as instr based in

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Hamilton Ontario and I’m gonna be

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participating in the center threes in

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clubs collage exhibition in the middle

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of the back pages overall exhibition I

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first discovered scenes when I was about

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15 I was I had just switched schools

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from a French Catholic school to an

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English public school which was a very

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big transition and within that I spent a

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lot of time in the library because I did

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not have any friends as you often don’t

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when you switch schools suddenly and

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when I was spending a lot of time in

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this library I was usually in this

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little alcove area that had the comfy

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chairs and the comic books and other art

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books and that’s where I found what what

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you mean what’s a zine which is an

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amazing book that kind of goes over like

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what scenes are how you can make scenes

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different ways of putting scenes

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together and I just like fell in love I

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was obsessed with it me and one of my

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best friends made our first scene that

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year I think was called Brack asaurus

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rex it had one issue it was awful but we

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loved it and I still own a couple issues

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actually they live in the bottom of a

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box somewhere they always will from

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there I I was very lucky at the time I

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used to nanny and British Columbia with

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my aunt and uncle and my uncle lived in

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Vancouver so he would just kind of

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unleash me in the streets of Vancouver

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when he had meetings at work and I found

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spartacus books which is based in

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Vancouver and they have this awesome

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zine collection where I just bought up I

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think 30 or 40 seems there the one day

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and just kind of dove right in and from

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there I kept reading scenes when I could

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going to zine fairs but I didn’t

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actually make another zine for a year

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the first the zine I made next after

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that first one I think I was 20 20 or 21

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and I was at the tail end of a very

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abusive relationship and I made I was

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doing all this like weird poetry about

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that you know the way someone copes with

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a bad abusive breakup and I ended up

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making that into a kind of

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I born punk poetry zine and from there

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that really like took off and I started

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getting really into making scenes as

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often as possible so generally at this

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point I probably make three or four

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scenes a year and then try and call it

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down to mines I actually like want to

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keep producing sometimes you make ones

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that though they’re fun in the moment

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they might not apply anymore after a

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little bit or something so now it’s just

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something I kind of do as a form of

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survival I find that it’s easier to

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reflect on my experiences within a year

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by making a zine or something that’s

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bothering me or stories from my youth a

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lot of things like that end up coming up

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in my zine a lot so the this news here

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the ghost trash series is actually my /

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Z which is a personal zine so a lot of

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people make those when they’re just kind

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of reflecting on their own experiences I

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make one a year so this is the last two

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years of my life I’m working on a third

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one now for dizzy and fair that is

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happening during back pages actually and

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generally what I like to do with these

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ones it’s just kind of reflect on like

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what I’ve gone through that year and

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write about like a bunch of goofy things

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that I feel and experience so like

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within this one I did a bunch of some

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poetry stuff I talked a bit about all

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the cartoon goth girls had crushes on

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growing up just kind of an exploration

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of core identity I did a bit about

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leaving my abusive relationship and how

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that affected me and some stuff about my

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grandmother who passed away about seven

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years ago now which was something that I

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didn’t deal with for a really long time

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it was a year that I made this scene

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that actually finally started working

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through the grief of that and what it

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meant to have my grandmother be dead

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which i think is something that a lot of

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people get to do with scenes they get to

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explore moments in their life that maybe

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they didn’t have the time or the space

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to cope with them and experience them

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when it happened so these are a really

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good way to like have a retrospective on

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something really significant that

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happened to you that you just didn’t

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know how to

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with at the time and that’s again what

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happens through the following year – I

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talked about like my really bad

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depression that winter and my really

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horrible way of making friends in which

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I got too drunk passed out and vomited

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on someone’s bed and then was anxious

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for months so it’s just like the only

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way that I know how to work through a

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lot of these emotions cuz when they’re

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happening I don’t I’m not a very

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reactive person I’m a very pensive

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person so when it happens I kind of just

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shut down and don’t know how to react to

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it later and that’s one of the main

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things that I get from my zine zazz

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being able to react to things that

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happened well is growing up or things

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that happened to me within the last year

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and get to actually decide how I feel

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about them as opposed to just the

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initial this happened okay I’m gonna put

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that away until later and then my

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identities kind of weave into all of

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these because a lot of the times my

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identities affect these moments of like

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not knowing if I’m in a space that’s

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safe or queer and trans people or not

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being able to make the space for myself

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that I should be or discussing my

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dysphoria or this one was actually when

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I did for class that I ended up

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continuing to print that’s about

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non-binary genders and how people use

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their fashion to assert their gender

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identity which i think is a really

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fascinating area that we don’t see a lot

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when you talk about fashion magazines

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it’s very binary so seeing how a lot of

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non-binary people can use color and

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experiences and draw that into their

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clothing is really fascinating and I

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think that it’s one of those ways that

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we can talk back and really make

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statements about our queer trans

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identities that we normally can’t so I

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feel like this is one of the ways that I

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can be unapologetically queer and trans

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and give that to people because one of

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the first things I read that I liked

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really identified with was short and

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queer which was about

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a queer trans man and I just fell in

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love with it I wanted to know everything

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about this person I bought other jeans

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that they made just to learn more about

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their experience because I was

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identifying with it so thoroughly and I

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always kind of hope that maybe my ziens

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will do that for someone else and if

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they do then I guess I’ve done a good

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job as a zine ster

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