Behind the Scenes: Interview with Lester Coloma (Masquerade)

2021

Enjoy this interview with current exhibition artist, Lester Coloma, as he discusses the process of painting his new work, Masquerade.

Masquerade, 2020, is designed specifically for the AGH lobby. A lush, rich, and wholly engaging portrait, its meaning is equally abundant and involving. On the one hand, we experience a dramatic, over life-size figure seemingly overwhelmed by the vivid flora that occupies half the composition. But the sheer beauty and splendor of the mural belies a much more complex and timely origin story.Enjoy this interview with current exhibition artist, Lester Coloma, as he discusses the process of painting his new work, Masquerade.
 …

Chapters

View all

Intro
Intro
0:00

Intro

0:00

Background
Background
0:27

Background

0:27

Murals
Murals
3:56

Murals

3:56

Conclusion
Conclusion
5:21

Conclusion

5:21

Autogenerated Transcript from YouTube (if available)

Use CTRL+F to find key words if it is a longer transcript​.

Intro

0:03

uh my name is lester coloma

0:06

i’m a hamilton artist born and raised

0:08

been practicing mural painting for over

0:10

22 years now

0:12

and i’m here working at the agh doing a

0:16

painting directly on to wall on a theme

0:20

that is talking about the awareness of

0:23

mental health

Background

0:31

so when i moved back i’m born and raised

0:33

in hamilton so when i moved

0:34

back to hamilton from toronto there

0:37

wasn’t a lot of

0:39

mural art happening so

0:42

i started uh just doing stuff on my own

0:46

uh there was a restaurant called

0:48

acclamation that had used to have a

0:49

really long

0:51

wooden fence that was just dark brown

0:54

and i approached the owner and i thought

0:55

hey

0:56

do you mind if i just paint the mural on

0:58

here for art crawl one day

1:00

well it was actually for art crawl and

1:02

uh

1:03

they didn’t mind so i went down with one

1:05

brush

1:06

uh one color and i painted a giant fish

1:08

and i thought hey this is this is kind

1:10

of fun it seems to be getting a good

1:11

response

1:12

from people and then from that piece i

1:16

was invited to do

1:18

a painting on the old tivoli theater

1:22

and i did a rabbit riding a tortoise

1:26

um and a business owner saw that

1:30

asked me to do the exterior of

1:33

his building that he owned um and i

1:36

painted that one

1:37

and from there it just became a lot of

1:39

referrals

1:40

so i think that that first fish one

1:44

that i did on the fence was uh was kind

1:47

of the starting point of it all for here

1:52

so in in doing the research for trying

1:54

to come up with imagery

1:56

um i saw a lot of things that were very

2:00

very negative so things with people with

2:03

barbed wire or people imprisoned in

2:07

their mind

2:07

and i thought that’s a really tough

2:10

image to swallow for someone if they’re

2:12

trying to overcome certain issues

2:14

uh so the direction i wanted to take was

2:16

something more

2:17

approachable that still showed the

2:20

layers of complexity

2:22

so i came up with a metaphor of leaves

2:24

and foliage and

2:26

different types of leaves and how

2:28

they’re kind of intertwined

2:29

and and it was important for me to do

2:31

that because it seems

2:34

from my perspective you can kind of uh

2:37

approach obstacles when they have more

2:40

of a

2:41

when they’re more approachable they

2:43

aren’t

2:45

like a giant wall that that inhibits you

2:49

it’s something that’s that’s more

2:51

conquerable it’s a sense of pride

2:53

it’s a sense of ownership it’s a sense

2:55

of confidence it’s

2:56

it’s all of those things i think if you

2:58

can kind of

3:00

if you can kind of maintain a

3:04

good eye contact with someone and talk

3:06

about issues it’s almost empowering

3:08

right so you have a good connection and

3:10

you can kind of speak

3:11

speak about things a little more freely

3:13

honestly

3:14

if i was not painting i would i would be

3:17

struggling a lot more

3:19

i find having to do large scale artwork

3:23

for me

3:24

um i really like the benefit that it’s

3:28

there’s a bit of physicality to it so

3:30

you know it’s it’s not just

3:32

movements of of the wrist when you’re at

3:34

an easel and you’re painting something

3:35

smaller scale

3:37

like you’re up and down scaffolding and

3:39

you’re moving around so i i enjoy that

3:41

that physicality of it and in terms of

3:44

of the imagery that i get to create i i

3:47

find it really

3:49

really appealing because a lot of people

3:51

seem to connect with the work that i do

3:53

so it’s

3:54

uh it feels good when you can do that

Murals

3:58

in a couple of the neighborhoods i get

4:00

to talk to

4:02

people who’ve lived there for a long

4:04

time and

4:05

it’s it’s always a sense of

4:08

of pride when they see the mural you

4:11

know

4:11

they can’t believe that oh this artwork

4:14

is in my neighborhood

4:15

and they’re very they’re very happy it’s

4:18

there i i’ve spoken to a couple people

4:20

and they’re very

4:22

protective sometimes they say oh if

4:24

anyone

4:25

puts graffiti on this you know we’ll

4:26

take care of them so there’s a

4:28

big sense of ownership in it and it

4:30

seems to make them happy

4:32

and a lot of people don’t get to see the

4:34

behind the scenes so i think it’s

4:35

important for them

4:37

to kind of almost keep guessing you know

4:40

what

4:40

what direction the arts gonna go how

4:42

it’s gonna look like in the end and and

4:44

seeing how

4:45

i like to build in in layers you know

4:47

it’s it’s

4:48

it’s almost these mini unveilings every

4:51

time they

4:52

they stop by and it’s kind of fun

4:54

because when we used to have art corals

4:57

before

4:58

kovid i really liked when people would

5:00

come into my studio

5:01

and ask questions about art and talk

5:03

about the meaning behind things because

5:05

they really don’t

5:06

get to see that perspective when they’re

5:08

just looking at the finished artwork

5:10

you know they get to pick my brain about

5:13

how i arrived at this image or

5:15

why i did certain things or or even ask

5:18

me about the struggles that i’ve had in

5:20

completing the artwork

Conclusion

5:24

i i think it’s more meaningful because

5:28

the original artwork i did

5:30

uh 2019 so

5:34

in explaining the the theme of the

5:36

artwork and and the

5:39

the climate of society now with all

5:41

these lockdowns and

5:42

and social isolations people seem to be

5:45

responding even

5:46

more positive more positively

5:50

to the theme of the artwork you know

5:52

that’s it’s a lot more relatable to them

5:54

and the struggles that they’re having

5:57

[Music]

6:04

currently

6:11

[Music]

6:15

you

No results found