Acoustic fusion of Bollywood Hits - Shirsha Chakraborty live at MAD

2019

#MonsterArtist Shirsha takes us on a melodious journey with unique acoustic fusions of “Baarish” (from the movie Half Girlfriend) with WENS’ “Take It,” “Raabta” (from the movie Agent Vinod) and Taylor Swift’s “Treacherous,” and Troye Sivan Mellet’s “My! My! My!” in this #MonsterArtist Development episode.

Are you an artist wanting to get involved in the MAD program? We want to hear from you: http://www.monsterartistdevelopment.c…

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   / @bollywoodmonster…  

ABOUT SHIRSHA CHAKRABORTY
Shirsha Chakraborty has been performing on stages across across Canada, the United States and India for several years. After winning a national singing competition in India judged by Shankar Mahadevan, she recorded vocals on his composition, “Laadli”. Shirsha has also performed with Bollywood sensation Ash King, and was invited by Grammy award-winning pianist and songwriter Laura Sullivan to sing in a collaboration called “900 Voices”. Last year, she made her Bollywood playback debut alongside maestro Ustad Rashid Khan in the theme song of the movie “Wedding Anniversary,” called “Bidesia – the Stranger.”

About Monster Creative Collective
Born in 2011, Monster Creative Collective is a not-for-profit organization, based in Mississauga and committed to providing entertainment for the young and old alike. Monster Creative Collective are the producers of #MonsterWorld Mashup, which is the only world music festival in Brampton and the #MonsterArtist Development program, which gives local artists the tools they need to succeed in a career in the music industry.

Audio Engineer:
Vikas Kohli of Fat Labs

Videographers:
Charles Vilagut, Mike Gillis, Jawn Taboika, Mike Gillis and Filip Plaskota of Creators at Play

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Category
Entertainment#MonsterArtist Shirsha takes us on a melodious journey with unique acoustic fusions of “Baarish” (from the movie Half Girlfriend) with WENS’ “Take It,” “Raabta” (from the movie Agent Vinod) and Taylor Swift’s “Treacherous,” and Troye Sivan Mellet’s “My! My! My!” in this #MonsterArtist Development episode.  

Chapters

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Intro
Intro
0:00

Intro

0:00

Bunny
Bunny
0:43

Bunny

0:43

Treacherous
Treacherous
6:14

Treacherous

6:14

Last Night
Last Night
12:33

Last Night

12:33

#BollywoodMonster Mashup

11.8K

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Autogenerated Transcript from YouTube (if available)

Use CTRL+F to find key words if it is a longer transcript​.

Intro

0:00

hi my name is shir Chakraborty you’re

0:02

watching me my friends on Mad we’re

0:04

gonna be putting on a short little

0:06

acoustic set for you guys with some

0:08

mashups and all the funky song at the

0:10

end typically when I’m choosing songs to

0:13

put together a perform I try to think

0:14

about what I’ve been listening to

0:16

recently and that would be a song by

0:18

winds called take so I kind of like the

0:22

vibe of it and I figured what can I do

0:24

with this I did some rearranging with

0:26

the chords so that it wouldn’t be too

0:28

different and then I don’t know I think

0:31

I just looked through a lot of songs

0:32

that I have in my library look through

0:34

some like popular hindi songs that are

0:35

out there

Bunny

0:43

I’ve never been honest with myself fake

0:48

my way through most in whatever what the

0:51

hell and he just left and me like I’m

0:56

saying said he never met somebody else a

1:01

feels the same but I see it all you and

1:07

me and I don’t wanna fall down on my

1:13

knees so you

1:17

the phone cuz I know myself and I do it

1:23

anyway you more some key but it it buddy

1:29

got bunny a bunny potato near make it

1:38

white it watch poor Annie

1:41

Oh booty 30 see me

1:45

[Music]

2:09

Sepideh but the poor Booga he see

2:19

but in the huh it has suffered me bloom

2:24

in Lodi sin the keys

2:29

but see the needed uh the lucky

2:35

Jordan a not the Hanalei I’m only gonna

2:41

take a little doesn’t love you love a

2:47

little of your promise I won’t overstay

2:52

Oh cuz I’m eating with you give me just

2:56

enough a little of y’all

2:59

[Music]

3:06

got a read off the tracks

3:12

[Music]

3:14

we’ll say 4s

3:16

Oh

3:17

[Music]

3:27

you’re more some converted it buddies

3:31

dumb bunny bunny keep only the teeth

3:39

[Music]

3:40

it would put our new booty booty see me

3:47

Oh

3:51

[Music]

4:02

nobody

4:04

of your love

4:05

Oh

4:12

by

4:16

[Music]

4:25

the TC

4:30

I like to think that when I choose songs

4:43

to put together I want the meanings to

4:45

kind of be similar a lot of the time

4:47

I’ll find songs that go well together

4:49

but have nothing to do with each other

4:51

lyrically I just think that’s not a very

4:54

like honest genuine thing to do to put

4:57

something together like that so I do

4:59

have a good time like trying to find out

5:01

like what goes with what I remember

5:03

going to Bollywood monster mashup the

5:07

first time that Jonathan Gandhi came to

5:10

perform and oh my god what a killer show

5:13

that was amazing

5:14

I’d emailed Bollywood monster mashup to

5:17

try and get into the show

5:19

and they had told me at that point about

5:22

this program about Matt and what they do

5:26

and I thought that was a really cool

5:28

opportunity for me to be a part of as

5:29

well because a lot of the time I feel

5:31

like when you’re performing for an

5:33

audience you have to take into

5:35

consideration what they’d want to hear

5:37

like if you build a set of 20 minutes or

5:39

30 minutes whatever it is you got to mix

5:42

it up a little like give them some songs

5:43

they want to hear some songs you maybe

5:45

want to do but I was really interested

5:48

in performing at mad because this is

5:52

where I kind of get to do anything that

5:54

I want to do and show like the creative

5:58

like mashup kind of style show my

6:00

singing style which i think is kind of a

6:02

blend of like western and Bollywood or

6:06

Indian kinds of music so I’m really

6:09

excited that I got to be a part of this

6:11

[Music]

Treacherous

6:27

Qadir who that is such a hummus of

6:31

Achille cocina kisi KO help Anaya

6:35

heuristically

6:36

they demand a hill syllabic I shot a

6:40

model woodchuck open up it it is a geeky

6:44

see can you get they have for the nice

6:47

jaha me so V Gilley kisi na kisi ko

6:51

heaven I have a kissy Kimmy

6:54

they dime in Iowa’s it’ll perk I’d shot

6:58

a model would you go banana peel it is

7:01

it you seek any air so tried to

7:07

rise

7:09

this records this slope is treacherous

7:16

and that my I like it I can decide if

7:23

it’s a choice getting swept away I hear

7:31

the sound of my own voice

7:35

asking you to stay

7:39

and all we are asking and Bo trained to

7:45

get along forever going with the flow

7:52

but your friction

7:57

good you taught him to say duh but

8:01

mother put you thought it did you say

8:06

guess it home to me home a couple I put

8:12

you through to see

8:15

do hums overhead pick Africa Haiti Nikki

8:21

but I

8:24

[Music]

8:25

two headlights shine through the

8:28

sleepless night and I will get you get

8:32

you

8:34

your name has go through my mind and I

8:39

just think you should think you should

8:42

know but nothing

8:45

the word the drive and I would follow

8:49

you follow you a follow you

8:57

I’ll follow you home

9:00

[Music]

9:01

yells all

9:06

[Music]

9:09

this hope is treacherous this daydream

9:16

is dangerous

9:19

this slope is treacherous and I I

9:28

[Music]

9:38

initially I’d wanted to do sort of a

9:42

cover of that Taylor Swift song

9:44

treacherous and Rob thigh is a very

9:47

beautiful song that I feel like is not

9:51

only popular but very timeless I think

9:56

so I felt like the content of that song

9:59

like the lyrical content of it

10:01

really went well with Tetris and again I

10:03

just put that together and thought let’s

10:05

try I’ve been singing for a very long

10:08

time my mom used to say like when I

10:13

started learning how to talk like that’s

10:15

what I’d sing but I only really started

10:17

taking professional training around when

10:20

I was like 8 years old so I took some

10:23

Indian classical training and then some

10:26

Western vocal technique I think the

10:28

pivotal point in my life would be when I

10:32

went to India for two years

10:34

that was after graduating high school I

10:37

was in actually I was in a regional arts

10:38

program in high school so I got

10:40

introduced to like jazz vocal jazz

10:42

ensembles stuff like that but then I

10:45

took a break after high school went to

10:46

India to kind of network and do some

10:48

groundwork in the industry there and I

10:52

was thinking of applying to some like

10:55

academic fields for university when I

10:57

get back just to be like I’ll have that

10:59

as a backup but then I don’t know a year

11:03

and a half into my trip there I thought

11:06

to myself that I can’t imagine doing

11:07

anything else you know like this is what

11:10

I’m meant to be doing I meant to be a

11:12

musician of some sort whether I’m

11:14

singing arranging composing working with

11:17

people with like background vocals

11:18

anything it has to be music when I do go

11:22

through like a process of creating

11:25

something I think what draws me in our

11:29

chords like kind of the harmonics of

11:32

things a chord progression how that

11:34

makes me feel once I sort of decide on

11:38

usually what happens is like a melody

11:40

and lyrics will kind of come to me just

11:43

in one

11:43

at a time and if I get a line that I

11:45

really like then usually I can hear the

11:49

chords in the background as that’s in my

11:52

head and then I’ll write down like what

11:54

those are

11:55

and kind of go from there and based on

11:58

like the mood of those chords that sort

12:00

of sets up what the rest of the song is

12:02

gonna sound like and then I try to work

12:04

with okay like these lyrics in this line

12:07

what do they mean where do you want to

12:08

go with it and then kind of try to

12:11

actually form a song there are key

12:13

things in Indian music that I do want to

12:15

incorporate key instruments maybe like

12:17

using some kind of like Indian solfege

12:19

like people people know about solfege

12:21

but they don’t really know like that in

12:23

my culture we have a whole set of

12:26

different solfege that we use and I

12:27

think it’d be cool to be able to

12:29

incorporate those kinds of things into

12:31

everyday kind of music oh my my my I die

Last Night

12:37

every night with you oh my my my little

12:46

foil every

12:51

shine on diamond don’t make me wait

12:56

another day cuz passion it’s passion you

13:04

know it just as well as me so my baby

13:17

let’s I run for money

13:22

a baby oh my my my diary

13:32

[Music]

13:37

for your

13:43

spark up buzz cut my baby my baby oh my

14:18

[Music]

14:22

Oh

14:28

for ever

14:31

[Music]

14:35

Oh she’ll be the last night she’ll be

14:46

the last night

14:48

[Music]

14:50

Oh

14:57

[Music]

15:03

[Applause]

15:04

[Music]

15:07

Oh

15:14

[Applause]

15:19

[Music]

15:31

I mean my family have been living in

15:38

Brampton for quite a few years now

15:41

probably since um around 2007 or so I

15:44

learned a lot from Mayfield it was that

15:49

time in my life was sort of an

15:51

introduction to jazz music because you

15:53

know we’re a family of Indians we you

15:57

know really like to listen to Bollywood

15:59

Indian kind of music I wasn’t really

16:02

exposed to too much English music or let

16:06

alone jazz until high school so I

16:10

learned a lot about the basics of jazz

16:13

kind of what the feel is like what the

16:15

language is like I was introduced to a

16:18

cappella music in high school and it

16:19

kind of changed my life

16:21

I think it’s incredible it’s so organic

16:24

and that’s something I’m definitely

16:26

gonna be using for my projects and

16:28

little snippets here and there but I

16:30

definitely say that me being able to get

16:33

into Humber’s program is definitely

16:36

credited to the program in Mayfield that

16:40

I went to I learned a lot of things that

16:42

I can carry forward and develop on so

16:46

yeah it was a really important part of

16:48

my life I hope you guys enjoyed thank

16:50

you for watching and please subscribe

16:52

for more videos

17:02

[Music]

17:09

you

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