Barry Till describes merchant life during the Edo period through the art and objects that they’ve left behind.Barry Till describes merchant life during the Edo period through the art and objects that they’ve left behind. …
Chapters
View all
Merchants
Merchants
0:00
Merchants
0:00
Woodblock Prints
Woodblock Prints
1:28
Woodblock Prints
1:28
End of the Edo Period
End of the Edo Period
3:35
End of the Edo Period
3:35
Use CTRL+F to find key words if it is a longer transcript.
Merchants
0:14
during the edo period the merchants
0:16
became the wealthiest people in the land
0:18
they controlled the distribution of
0:19
products
0:21
they also controlled a lot of monopolies
0:23
so they able to develop a tremendous
0:25
amount of wealth
0:26
even some of the great financial houses
0:28
of today developed during the edo period
0:31
for example in this one print you can
0:32
see the mitsuhi family crest it’s in the
0:36
city of yokohama around 1860. so they
0:39
became very wealthy but they were not
0:40
allowed to show off their wealth they
0:42
often had to keep it hidden
0:44
for example in the clothing often their
0:46
lining would be very nice where the
0:47
outside of the clothing would not be
0:49
they also found that they could uh enjoy
0:52
life a lot during the edo period by
0:54
going to the pleasure quarters in the
0:56
pleasure quarters there were brothels
0:59
bath houses restaurants and what they
1:02
loved most kabuki theater so they’d go
1:04
there to get entertainment
1:06
the samurai were not supposed to be
1:08
going to kabuki theater because it was
1:10
beneath them they’re supposed to go and
1:12
watch no place or no drama which had
1:16
masks but the kabuki theater was very
1:19
colorful it had a lot of sexual innuendo
1:22
a lot of intrigue
1:24
violence and this is what the average
1:25
person seemed to like
Woodblock Prints
1:32
during the edo period the merchants
1:33
loved a particular type of art known as
1:35
ukiyoa these are woodblock prints wood
1:38
bra prints were made by a team effort
1:41
first the artist would make the image
1:44
he would send it to the wood block
1:45
carver the wood ball carver would then
1:48
print the image print one copy and send
1:51
it back to the artist he would fill in
1:54
the colors
1:55
and then send that print back to the
1:57
woodblock harvest for each color a block
2:01
has to be carved so in some cases there
2:03
can be 7 to 17 different blocks these
2:06
all have to be carefully lined up
2:08
so again i will repeat it it’s a team
2:10
effort first you have the artist
2:12
the wood block carver and the printer
2:15
he’s the one who would print each color
2:17
so each time you finished one color
2:18
you’d have to lay them all out and let
2:20
them dry
2:21
and then after they dried take it up and
2:23
put the next color on and so on and so
2:25
on and if you wanted a fourth member to
2:28
the team
2:29
effort you would have the distributor he
2:31
would sell these around or carry them
2:33
around
2:35
and sell them to the ordinary people now
2:36
these usually only cost a few pennies
2:39
and you just put them up for a while and
2:40
then discard them
2:42
now eventually they were used as packing
2:44
material when they were selling uh
2:45
sending ceramics to europe so they’re
2:47
all crumpled up and sent
2:50
around these ceramics now some of the
2:52
sea captains and other people in europe
2:54
began admiring these colorful wood block
2:56
prints and it ended up influencing a lot
2:59
of people like the impressionists and
3:00
the post-impressionists like van gaal de
3:04
gea
3:05
monet people like whistler so they’re
3:07
all influenced by japanese woodwork
3:09
prints and the uh the various angles
3:12
that they they tried to depict and the
3:14
large blocks of color so ukiro prince
3:17
ended up having a tremendous impact on
3:20
western art not so much in japan where a
3:23
lot of the aristocracy felt these were
3:25
vulgar images and they would not collect
3:27
them so it was not considered a great
3:29
art but it was a folk art a popular art
3:31
in which the ordinary people could
3:32
afford
End of the Edo Period
3:38
during the edo period
3:40
basically only two foreigners were
3:42
allowed to trade with the japanese and
3:44
that was the chinese and the dutch
3:46
all the rest were banned this would all
3:48
change in 1853 when the american
3:51
commodore perry would sail in with six
3:53
ships
3:54
he sailed in with these ships and they
3:56
had huge cannons and suddenly the
3:58
samurai found that they had no counter
3:59
measure to stop them they could do
4:01
whatever they want
4:02
kerry left the ultimatum that when he
4:04
returned in one year that the japanese
4:05
would have to open up ports to the
4:07
americans
4:08
which he did he returned in 1854 and the
4:11
japanese had to open up two ports the
4:13
main reason why the americans wanted
4:15
these ports open is they wanted to be
4:16
able to stop and
4:18
resupply their ships often whaling ships
4:20
had been in this area and if they became
4:22
marooned and the japanese would either
4:24
kill the crew members or sent them back
4:26
out to sea
4:27
now they had a chance to put the port
4:29
get food and continue now as soon as the
4:31
americans did this the british
4:34
the
4:35
russians the french and even the dutch
4:38
began making new treaties and forcing
4:40
the japanese to open up more ports to
4:42
them
4:43
before too long the foreigners were set
4:45
up in the city of yokohama and you could
4:47
see them all over the place coming to
4:49
trade with the japanese
4:51
they did very well and a lot of japanese
4:53
companies did very well
No results found