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MAKING TOMORROW'S CULTURE TODAY

Artengine is an artist-run futurelab that brings together artists, designers, technologists, and researchers to explore the social impacts of emerging technologies through collaborative learning and production.

 

New Suns

09/09/2024

a worldbuilding lab for radical futures

NEW SUNS is a collective worldbuilding laboratory that brings together an interdisciplinary group of creatives to explore radical futures through art and speculative fiction.

GroupChat

19/09/2024

Evenings of great work and interesting conversation.

So often with interesting art works, particularly those at the edge of different disciplines, we need to talk about what we saw or heard or experienced. Our new programming series, GroupChat combines the fun of checking out something new with a engaging discussion. It’s like a book club for artworks.

WISHES FROM HEREAFTER

15/04/2024

Yekta Çetinkaya

The exhibition Wishes from Hereafter came to life through a residency at Artengine and will be on view from April 15 until April 30, with a reception on Thursday, April 18, from 5 to 8 pm. (Open until midnight on the night of the reception).

MORE OF WHAT IS HAPPENING RIGHT NOW HERE…

GroupChat02-Game Night

Join us for a special edition of GroupChat where we explore the world of gaming. In this interactive event, we’ll not only play a variety of games but also dive into a thought-provoking discussion on how gaming can inspire and be applied to artistic practice….

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Workshop: Web-Based Augmented Reality for Artists

This workshop is designed for artists interested in exploring the world of web-based augmented reality (AR). You’ll learn how to create interactive AR experiences that are free, open-source, and accessible through a web browser—no need for users to download an app. With just a few lines of simple HTML code, you’ll be able to bring your drawings to …

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PLAYING WITH IDEAS: A WORKSHOP WITH KATE HEARTFIELD

The blank page can be intimidating, whether it’s the start of an email, an artist statement, a novel or a newsletter. Imagination in our use of language is a skill and a resource, and is more valuable than ever in an age of chatbots and large language models. This workshop with University of Ottawa Writer-in-Residence Kate Heartfield will help part…

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Touch Designer Meetup 03

Are you new to TouchDesigner or looking to level up your skills? Join us for The Clinic, a relaxed, community-driven meetup where you can get hands-on help with your TouchDesigner projects. Whether you’re just starting out or have specific issues you need help with, this is the perfect space to ask questions, troubleshoot problems, and learn along….

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ARTENGINE IDEAS

ARTENGINE IDEAS

ARTENGINE IDEAS

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Kristin Anne Carlson-YT0

Kristin Anne Carlson @ Artificial Imagination

Kristen Carlson, an assistant professor at Illinois State University, merges computation with embodied creative processes across choreography and media performance. Her diverse background includes movement, technical theory, theater, interaction design, and programming. She is notably published in fields like cognitive science, computing, and electronic arts. During her talk, Carlson emphasized the integration of procedural coding in reconsidering compositional processes in choreography. (…)

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garnethertz

Garnet Hertz @ UNHANDED

Garnet Hertz’s talk delves into his personal relationship with his 3D printer, using it as a lens to explore broader themes of technological adoption. He discusses the initial excitement and promises of new technology, the eventual realization of its limitations and challenges, and advocates for a balanced approach that integrates both old and new tools in creative endeavors. Through anecdotes and reflections, Hertz offers a nuanced perspective on technology, emphasizing the importance of critical engagement and realistic expectations.

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cansoundbespaceless

Can Sound be Spaceless?

Sound is inherently tied to space, it traverses. Once you start considering the possibility of a spaceless sound, you are delving into a realm of abstraction. Two types of re-encodings of sound that might be considered aspatial are the conversion of “vibrations moving through the air” to a digital signal and our memory of sonic events.